Anglican

Beauty Springeth Out of Nought

James Tissot, Mary Magdalen and the Holy Women at the Tomb

What an indescribable series of moments those were with the discovery of the empty tomb, first by the women, and then by some of the disciples. What made those moments so unexpected was the sense of emptiness that pervaded the scene after Jesus’ death on Golgotha. A few had stayed until the last. Most left, surely overwhelmed by a feeling of loss and of dark absence. He was gone. And then, so were they. Furtively moving off toward a place of hiding.

James Tissot, The Apostles’ Hiding Place

Then… from nothing came something. On the morning after the sabbath, surprised joy broke through fear and sadness as He who seemed no longer to be appeared amidst them. Among many promises, God had once said, “Behold, I make all things new.” This promise was now fulfilled, but not in a way that his people were expectating. Listless because of doubt, immobile due to their fears, their place of retreat strangely mirrored their Lord’s entombment.

Then, amidst the stillness of a death-prompted isolation, the followers of the Holy One experienced startling wonder, unanticipated joy, and a new sense of community. Excitement overcame their troubled conviction that all was lost. How had this come about? By reflecting on this question, we join writers of the New Testament and others by imagining how the Resurrection of Jesus not only happened to him, but how it also then happened to the disciples.

Robert Seymour Bridges was a nineteenth century physician and an esteemed poet, such that later in life he was named Poet Laureate of the United Kingdom. Though not well-known now, he deserves our attention for how he adapted and rendered in lyrical English verse a hymn text by the seventeenth century German theologian and hymn writer, Joachim Neander. Bridges’ version of that text is known by its first line, “All My Hope on God is Founded.”

Robert Seymour Bridges

Bridges’ poetic text is familiar to people in our own day because of the way it has been set to a twentieth century tune, MICHAEL, by Herbert Howells. Many heard this hymn when it was sung as a fitting part of an internationally televised occasion, the Committal Service for Queen Elizabeth II, in September of 2022.

“All My Hope on God is Founded” therefore represents a remarkable synthesis of a seventeenth century devotional text, Victorian poetical sensibility, and expressive twentieth century hymnology. Each of these features can be appealing, and in my perception, how they work together in this example makes for a very moving hymn that enhances contemporary eucharistic worship.

Hope, based on God’s grace and providence, provides the thematic structure for the five verses of the text as it appears in The Hymnal 1982 (of The Episcopal Church). The third verse evokes the blessings that we have received through God’s work in Creation. The text here is nuanced, evoking the role of divine wisdom, while at the same time making allusion to things we have learned through the science of astronomy. Here is verse 3 in full:

“God’s great goodness e’er endureth,
deep his wisdom, passing thought:
splendor, light, and life attend him,
beauty springeth out of nought.”

Clearly, the hymn’s words here speak of what theologians refer to as creation ex nihilo, how God created all that is from nothing rather than from something preexisting. We remember the way that God’s handiwork is portrayed in Genesis 1, especially God’s recognition that what has been created is good. Andrew Cuneo observes how, in Genesis’s opening chapter, this repeated refrain that it was good, “contains a Hebrew word which may be translated either as good or as beautiful. The feel of the whole chapter changes if one hears God proclaim that the light, the sun, the greenery, the animals are all beautiful, and mankind very beautiful.”

This helps us appreciate how Robert Bridges’ rendering of Neander’s text transposes the object of God’s appreciative regard from the attribute of goodness to that of Beauty. The beautiful splendor, light, and life that attend God then, by implication, become attributes that accrue to humankind, we who are created in God’s image and likeness.

James Tissot, The Resurrection

A significant feature of New Testament theology appears in the theme of “a new creation,” signified by and inaugurated through Jesus’ Resurrection from the dead. As Paul puts it, “if anyone is in Christ, there is a new creation. The old has passed away; behold, the new has come” (2 Corinthians 5:17). Paul is here referring to death and resurrection, and the transformation we undergo through Baptism, when “what is mortal is swallowed up by life.” We can therefore say that the pattern of God’s work of Redemption mirrors that of Creation. For just as God created goodness and beauty out of nothing, God brought beautiful redemption to the world out of the emptiness of Jesus’ tomb. And as we feel joy when encountering beauty in Creation, so we find joy in God’s work of Redemption.

The disciples discovered new life within themselves through their encounter with and transformation by the Risen Jesus. This led them to a renewed sense of confidence that the Lord’s mission continued, and would now continue in and through them. They would have found fitting, and would have been able to sing, Robert Bridges’ words from the first verse of his hymn:

“All my hope on God is founded;
he doth still my trust renew,
me through change and chance he guideth,
only good and only true.”

And toward beauty.


Note: The full text of Robert Seymoure Bridges’ hymn text for “All My Hope in God is Founded” may be found here.

In a prior post I offered a reflection on the Committal Service for Queen Elizabeth II and noted its inclusion of the hymn, All My Hope on God is Founded. That post may be found here.

An Offering for Sunday, April 19, Easter 3 A

First edition book jacket of Walker Percy’s last novel, The Thanatos Syndrome

Prior homilies or sermons of mine are occasionally downloaded by readers. Noticing this, I anticipate that some of those preparing to preach (or offer a reading) on an upcoming Sunday might benefit from the perspective I have taken regarding the Lectionary readings for a particular day. I am therefore offering (when I can) a prior text that I have used for the occasion. I will try to do this on Sunday evenings or Mondays believing that there might interest in these texts being made available. When I have one prepared, I will also offer an accompanying handout (in pdf format) in case these may also be helpful.

For this coming Sunday, Easter 3 in Lectionary year A, I offer the following.

The link for it is here. The link to the handout may be found further below.

Here is the link to the handout.

48 Years Ago Easter Turned My Life Downside Up

Moonrise over Athens, much as I remember it

A dusky early evening left a soft glow on the Acropolis, periodically visible as I walked from the hostel toward the church. Yet, the size and warmth of the rising full moon held my attention as its blush touched the hills, for a brief while silhouetting the pillars and pediments of the Parthenon.

It was the evening of Holy Saturday, which fell on March 25 that year. In other years the day would have been the Feast of the Annunciation, but in 1978 it was the eve of Easter Sunday. I walked the short distance to Syntagma Square, to revisit the Anglican parish I had found that morning. Now, in the approaching darkness, I was returning to make my first confession, and be baptized at the Great Easter Vigil.

St Paul’s Anglican Church, Athens

How this came to be was largely due to providential grace, for I had not traveled to Greece with this particular result in mind. I was on a college year abroad, having lived and studied in Florence during the autumn. Then, after Christmas in Germany, I traveled to England for two eight week terms of study at Oxford. My plan for the year was to focus on Art History, fulfilling in part my chosen college major.

But, as in the biblical Damascus Road surprise, when first walking into the piazza around the Duomo in Florence, I experienced an unexpectedly sudden conviction: That it was time for me to surrender to the divine power I had come to recognize but had yet to affirm. Asking if there was an English-speaking congregation nearby, I was directed to St James Episcopal Church near the American Consulate. Over the next few months, and with the guidance of Fr. Edward Lee, the parish became for me a place of spiritual nurture.

The autumn course of studies for our group of visiting students in Florence was a fixed one. But my subsequent program in England allowed me the freedom to choose a personal area of focus. The exotic sounding topic of Christian Mysticism had been commended to me, and upon naming this to my Oxford program administrator, I learned that she could arrange tutorials for me with a recognized specialist in the field. What a blessing this turned out to be.

St. James Episcopal Church, Florence, Italy

And so, during a cold and wet English winter, my catechesis in the Christian Faith was suddenly deepened. My growth was fed by readings from the early desert saints, on through to the spiritual writers of the medieval period. My study experience was complemented by a different approach to worship from what I had encountered in the liturgy at St. James Episcopal Church in Florence. By chance, I discovered Pusey House and Anglo-Catholic liturgy soon after arriving in Oxford. Passing by a notice board, I saw an announcement about an upcoming sermon focused on the spirituality of Thomas Merton, whose Seven Story Mountain autobiography I had read the year before. Fr. Cheslyn Jones, the Chaplain at Pusey and a specialist in the Greek New Testament, along with the history of liturgy and spirituality, became my next catechist.

Pusey House Chapel, Oxford, England

At the end of the Hilary (or winter) Term, I made the kind of plans many American students undertake hoping for spring warmth: To head as far south as cheaply possible, for what in my case would be a six week break before the Trinity Term.

I found a used tent and some economical camping supplies in local shops in Oxford, and located a round-trip bus ticket from London to Athens, offered by a discount travel bureau. This led to a remarkable pair of journeys to and from the continent, crossing between Dover and Ostend, through Belgium, Germany, Austria, and Yugoslavia, before finally arriving in Greece. Deposited on an Athenian curbside on an early afternoon, I found a local bus to the port of Piraeus. There I arranged for an overnight passage to Crete on a vintage island cargo and passenger ferry. The next morning, I bought a bus ticket to the south coast of Crete, going to a place a friend had recommended, the little seaside town of Ierapetra, near where St. Paul’s ship had sailed off the coast (Acts 27). Aside from my basic gear, I had brought along only a New Testament and a book of the sayings of the Desert Fathers for my Lenten reading. My plan to do a lot of fasting for spiritual reasons fit neatly with my need for economy.

My first couple of nights were spent in a farmer’s field, above the town and seaside. I awoke one of those mornings to a rapping on the tent pole that alarmed me, sensitive to a probable complaint about my trespassing. Instead, there was a kind man, his arms folded across his chest, cradling fresh tomatoes and cucumbers. I was very touched.

The beach along which I walked to Ierapetra on Crete

After a few days I relocated my tent to an area just above the pebbled beach, adjacent to the long shore upon which I would daily walk to the town. There I would buy a loaf of hearty brown bread, some cheese and sausage meat, as well as more tomatoes and cucumbers. These became the staples of my diet for about 5 weeks.

With just a couple of weeks to go before my return journey to England, a friend from our study program found me on Crete. He was conflicted and wrestling with a need to fly back to the States to be reconciled with his father. After a day or two, he resolved to act on his intuition, and departed on his long journey home.

A little Greek Orthodox church like the one in which I prayed on a morning of decision

Musing about his decision, I realized that I was moving toward a similar resolve, but that in my case it was a need to be reconciled with our spiritual Father. I was still fuzzy about what this might mean in concrete terms, but awoke the next morning with greater clarity. I walked into town to pray in a small Greek Orthodox church when I realized what I needed to do. That was to go back to Athens, find an English Church, and ask to be baptized. Fetching my sleeping bag from the tent and my New Testment, I booked a bus ticket back to the north shore of Crete for a return to Piraeus on the same overnight ship. It was then I learned that it was Good Friday.

The Greek inter-island ferry ship, the Minos, upon which I sailed overnight between Piraeus and Crete

Holy Saturday morning, the bus from Piraeus dropped me at Syntagma Square in central Athens where – very conveniently – I found St Paul’s Anglican Church. Reading the church sign with its parish notices, I learned the name of the priest, Fr. Jeremy Peake, and his telephone number. Taking the risk of calling him early on Holy Saturday morning, I surprised him with an unanticipated but what I hoped would be a welcome request: I wished to be baptized. In a wonderfully understated British way, he responded by saying, “Perhaps we should talk about that!” He then invited me to come by for coffee. When I shared with him about my months of study, and with whom I had been receiving instruction in the Christian Faith, he was reassured. Warmly, he invited me to come early to the church that evening to make my first confession, and receive Baptism at the Great Easter Vigil.

The garden area where new light of Easter was lit

The liturgy began in the darkened forecourt of the parish church, just off a main boulevard in central Athens. Amidst the busy sounds of the city around us, we gathered in silence to light the new fire with which the liturgy begins. Being my first experience of the Vigil, I was quite moved by the sequence of readings, starting with the Creation, through the Fall and the Flood, the Exodus and entrance into the Promised Land, with stories of God’s covenantal grace being extended and renewed again and again. When I was then baptized, I felt like I was on fire, an overwhelming experience of cleansing embrace and transformation. I received communion as a new member of the Body of Christ, and left the liturgy feeling like I was several feet off the ground.

On Sunday morning following the Eucharist I was invited to lunch by the kind couple who had agreed to be my sponsors for Baptism. During that wonderful meal, they explained a practice with which I was unfamiliar: Easter eggs all colored dark red, recalling a wonderful Eastertide legend associated with Mary Magdalene.

After a further week in my tent near Ierapetra, I returned to Oxford for another term of formation in the history of Christian spiritual theology. At the end of the term, I received the sacrament of Confirmation through the hands of a suffragan bishop of Winchester, at Pusey House on Pentecost Sunday.

My experience of what now seems to have been a magical series of months, forty eight years ago, comes back to me every Easter. Especially when the Feast of the Annunciation on March 25 happens to occur near Holy Week, as it did this year.


Additional note: Readers interested in the legend about St. Mary Magdalen and the red egg might like to read my earlier post on this topic, which may be found here. A further reflection of the impact of the story I share here can be seen in the opening chapter and the thematic structure of my book, Ethics After Easter.

An Offering for Sunday, April 12, Easter 2 A

Justin Matherly, (Untitled), Fear Anxiety Joy, 2016

Prior homilies or sermons of mine are occasionally downloaded by readers. Noticing this, I anticipate that some of those preparing to preach (or offer a reading) on an upcoming Sunday might benefit from the perspective I have taken regarding the Lectionary readings for a particular day. I am therefore offering (when I can) a prior text that I have used for the occasion. I will try to do this on Sunday evenings or Mondays believing that there might interest in these texts being made available. When I have one prepared, I will also offer an accompanying handout (in pdf format) in case these may also be helpful.

For this coming Sunday, Easter 2 in Lectionary year A, I offer the following.

The link for it is here. The link to the handout may be found further below.

Here is the link to the handout.

Through the Waters of Death Into New Life in Christ

Peter Koenig, Christ as Second Moses, The Rainbow Resurrection

Side Panels that accompany Christ as Second Moses

 

A perennial theme in the New Testament and in Christian reflection concerns how – in Christ – we are called to live through death into new life. When we die to our worldly attachments and their hold upon us, we open ourselves to a greater life that extends beyond this present one. As the Christ our Passover canticle from The Book of Common Prayer puts it,

Christ being raised from the dead will never die again; *
death no longer has dominion over him.
The death that he died, he died to sin, once for all; *
but the life he lives, he lives to God.
So also consider yourselves dead to sin, *
and alive to God in Jesus Christ our Lord.

Peter Koenig’s painting with its side panels, centered on themes within this Easter season, expresses this motif in a particularly evocative way. Just as Moses led the people of Israel through the waters of death into a new covenant life with God, so Christ leads us through and to the same. This happens for us liturgically in the rite of Baptism. As Koenig explores this idea, he not only depicts Christ parting the waters but also shows the water emerging from the Lord’s side. This reflects John’s account of how blood and water came forth from Jesus’ side on the cross, but also suggests how water from the rock in the wilderness brought life to God’s people during Israel’s wandering toward the Promised Land. The “Thanksgiving over the Water,” in The Prayer Book Baptismal Rite articulates these ideas in a compact way:

“We thank you, Almighty God, for the gift of water. Over it the Holy Spirit moved in the beginning of creation. Through it you led the children of Israel out of their bondage in Egypt into the land of promise. In it your Son Jesus received the baptism of John and was anointed by the Holy Spirit as the Messiah, the Christ, to lead us, through his death and resurrection, from the bondage of sin into everlasting life.

We thank you, Father, for the water of Baptism. In it we are buried with Christ in his death. By it we share in his resurrection. Through it we are reborn by the Holy Spirit.”

Notice how, in the painting at the top, Peter Koenig portrays the crucified and risen Christ before what appears to be a darkened tomb filled with people. As we hear Isaiah quoted in Advent, “The people who walked in darkness have seen a great light; those who dwelt in a land of deep darkness, on them has light shone.” Christ leads the way, and makes possible our journey from the darkness of death into our new covenant life with God.

The two side paintings that accompany Koenig’s Christ as Second Moses artfully yet powerfully suggest the drama within the Exodus account of Israel’s Red Sea Crossing. The chariots of Pharaoh succumb to the waters of death while Israel is safely delivered on dry ground to their Covenant encounter with God at Sinai. Another canticle from The Prayer Book puts it well:

I will sing to the Lord, for he is lofty and uplifted; *
the horse and its rider has he hurled into the sea.
The Lord is my strength and my refuge; *
the Lord has become my Savior.
This is my God and I will praise him, *
the God of my people and I will exalt him.
The Lord is a mighty warrior; *
Yahweh is his Name.
The chariots of Pharaoh and his army has he hurled into the sea; *
the finest of those who bear armor have been drowned in the Red Sea.
The fathomless deep has overwhelmed them; *
they sank into the depths like a stone.
Your right hand, O Lord, is glorious in might; *
your right hand, O Lord, has overthrown the enemy.

Most of us have the blessing of not facing the equivalent of Pharaoh’s army. But we do have an enemy. And our enemy is the darkness and death of loving self and this world, even to the point of contempt for God, when God bids us to love him, even to the point of contempt for self and this world. When we live as we pray, to the Father, through the Son, and in the Spirit, we experience new life.


The above painting is Peter Koenig’s, Christ as the Second Moses, also known as The Rainbow Resurrection (used by permission of the artist). The final paragraph contains a paraphrase of St. Augustine concerning how we love God, from The City of God (Book 14, chapter 28). / I am once again pleased to share Peter Koenig’s painting and the material in this post as we prepare for Easter Sunday, and the Baptisms that may be a part of the liturgy in many churches.

Good Friday 2026

Stanley Spencer, The Cruicifixion (1958)

 

(This week, I am offering a Good Friday homily that I have shared before.)

In the Passion Reading for this day, we are reminded of the dark spectacle of what human cruelty can accomplish. With Jesus, it was a vain attempt to obliterate the most beautiful human being who ever lived. Thank God, we have no photographs of the horrifying things that were done to him, but only paintings. But consider this paradox: the beauty of art has provided a way for us to a reflect on one of the darkest examples of human violence.

Paintings of our Lord’s Passion seem divided into two broad groups. There are those concerned to portray the grim reality of Roman execution. And, there are those inclined to explore and express the inner redemptive significance of what happened.

At the center of any portrayal of the Crucifixion of Jesus is an inescapable fact ~ that it was an act of political and judicial violence, where the forces of earthly injustice pretended to act in the name of human truth. The corollary to this is how Jesus’ subsequent Resurrection restored heavenly justice in the name of divine truth. Paintings of Jesus’ Crucifixion, and those of his Resurrection, usually give attention to his wounded body, even though his wounds then appear transformed on the Third Day. After all, this is one way the disciples recognize him after his death. How the death-marked body of Jesus looked after his resurrection, also provides a preview of his appearance at the end of time.

Charles Wesley’s Advent hymn, “Lo! he comes, with clouds descending” offers words that also apply to Good Friday.

“Every eye shall now behold him,
robed in dreadful majesty;
those who set at nought and sold him,
pierced and nailed him to the tree,
deeply wailing, deeply wailing…
shall the true Messiah see.

Those dear tokens of his passion
still his dazzling body bears,
cause of endless exultation
to his ransomed worshippers;
with what rapture, with what rapture
gaze we on those glorious scars!”

It is natural to imagine how the people directly responsible for Jesus’ death, from Judas and the high priests, to Herod and Pilate, might be overcome with grief at the triumphal Second Coming of the Lord. Those who pierced him might feel themselves pierced by awakened guilt and remorse. Indeed, for every one of us, seeing the fruit of our mischief and misdeeds can provoke us to tears.

But I think Wesley was getting at more than repentance and contrition. Surely, seeing the full beauty of the glory of our Lord, with his wounds transfigured, will also summon our tears — but with tears of joy. Wesley, prayerfully and with sensitivity, has given voice to the profound power of beauty. Especially when it is discerned in the most unexpected of places – in the face and body of the Crucified One. Love… the most profound love beyond human imagining, is manifest in the face and gestures of the crucified messiah. For he reaches out his hands even to forgive those who have tortured and sought to kill him. This is the most beautiful thing we could ever see.

As we pray in a Morning Prayer collect, “Lord Jesus Christ, you stretched out your arms of love on the hard wood of the cross that everyone might come within the reach of your saving embrace…”

Perceiving all this helps us make sense of the paradox at the heart of Jesus’ Crucifixion. For, in it, we perceive the dramatic juxtaposition of serenity with antagonism, of beauty with its dark opposite, and of moral good with apparent evil. We can see this in two paintings I have included with your worship bulletin: Hieronymus Bosch’ painting of Christ Carrying the Cross, and Stanley Spencer’s 1958 painting, The Crucifixion. Looking at them, I encourage you to join me in asking an awkward question: with which person or persons in these paintings do we identify?

Hieronymus Bosch, Christ Carrying the Cross

Though some 500 years apart, both painters portray the tranquil appearance of the peaceful heart of Jesus, even in the face of vicious hostility. And like Bosch, Spencer helps us see what the beautiful One in our midst sometimes provokes. Especially when the shining light of his presence exposes the dark shadows within and around us. For his light sometimes prompts fierce anger and envy, as well as a callous indifference to cruelty and suffering. Things of which we are all capable. And we are likely to have much invested in denying this ugly truth. Strangely, when confronted face to face with the divine opposite of our perversity, we will either fight the light that we encounter, or surrender to it. The Passion Narratives give us examples of those who resisted and even fought against the Light of the World. For we sometimes fight against the disturbing possibility that Jesus will conquer our pervasive ungodliness. And so, consciously or not, we try to do away with his godliness.

An encounter with true beauty can be unsettling and troubling, especially if we have already settled for so much less. We may often hope for the triumph of good over evil, that beauty will overcome darkness, and serenity will displace antagonism. But we cannot find it within ourselves to do more than hope. We cannot achieve the redemptive resolution for which we haltingly reach out with our feeble hands and hearts.

It is not an accident that the figure of Jesus in Stanley Spencer’s painting visually recedes in the foreground, while those who oppose and crucify him grab our interest and attention. Spencer, after mastering traditional realism, adopted what he called a neo-primitive style. He was a gifted colorist, and highly proficient with composition. And so, as Spencer has rendered him, Jesus’ skin tone and color roughly match that of the wood of the cross, as well as the clothing of the man with the hammer swung over his head. Spencer’s rendering of the Lord’s skin tone and color also match much of the sky and the ground below… including the tunic of Mary Magdalene, prostrate at the foot of the cross. This forms a compelling visual symbol. For Jesus totally identified with us, in his Incarnation, and in his Crucifixion. His crucifixion symbolizes his complete joining with us, and with our world of wrenching hurts and suffering.

In fact —as we see in Spencer’s composition and coloring— it is precisely because Jesus blended in so well with everyday life, that those who opposed him could literally gain the upper hand, ultimately with hammers and nails. (For he did not call down an army of angels to help him, as he could have.) But this is the marvel of the incarnation of our God in Jesus. The fullness of divinity thoroughly became joined with our fallen humanity. As the Gospels attest, this joining was so complete that many did not notice or have regard for his divinity. When we do notice his total identification with us, when we come face to face with the truth it represents, we have either one or the other of two reactions. We throw ourselves down in humility before him. Or, we seek to throw him down, to humble him before us.

These paradoxes are brought to their greatest prominence when, as he predicted, he is lifted up. His lifting up is his glorification, and the glorification of God within him. Yet his lifting up is on a cross, and in the agony of a humiliating public execution. Here we see the ‘strange beauty’ of our Lord — a beauty for which churches and museums better prepare us than do our malls and most TV shows.

So, let us “behold the fair beauty of the Lord, and … seek him in his temple.” We will find him! We will find him in the “temple” that he promised to raise in three days.


Attached here is a link to a handout that I have used in connection with this homily.

Additional note: Those interested in further reflection on some of the Holy Week themes raised here might wish to read my prior post, “The Beauty of What God Can Do, and Is Doing.”

An Offering for Sunday, March 29, Palm Sunday in Lent A

James Tissot, The Procession in the Streets of Jerusalem

Prior homilies or sermons of mine are occasionally downloaded by readers. Noticing this, I anticipate that some of those preparing to preach (or offer a reading) on an upcoming Sunday might benefit from the perspective I have taken regarding the Lectionary readings for a particular day. I am therefore offering (when I can) a prior text that I have used for the occasion. I will try to do this on Sunday evenings or Mondays believing that there might interest in these texts being made available. When I have one prepared, I will also offer an accompanying handout (in pdf format) in case these may also be helpful.

For this coming Sunday, the Palm Sunday in Lent in Lectionary year A, I offer the following.

The link for it is here. The link to the handout may be found further below.

Here is the link to the handout.

An Offering for Sunday, March 22, Fifth Sunday in Lent A

James Tissot, Jesus Wept

Prior homilies or sermons of mine are occasionally downloaded by readers. Noticing this, I anticipate that some of those preparing to preach (or offer a reading) on an upcoming Sunday might benefit from the perspective I have taken regarding the Lectionary readings for a particular day. I am therefore offering (when I can) a prior text that I have used for the occasion. I will try to do this on Sunday evenings or Mondays believing that there might interest in these texts being made available. When I have one prepared, I will also offer an accompanying handout (in pdf format) in case these may also be helpful.

For this coming Sunday, the Fifth Sunday in Lent in Lectionary year A, I offer the following.

The link for it is here. The link to the handout may be found further below.

Here is the link to the handout.

Finding Beauty in Easter Living

A book for the New Church’s Teaching Series

Visitors to this space are familiar with my fondness for the words of St. Richard of Chichester: “Day by day, dear Lord, of thee three things I pray: to see thee more clearly, love thee more dearly, follow thee more nearly, day by day.” The theme can be expressed more compactly: We seek to live more nearly as we pray. These words voice our desire to walk a path of beauty in life, such as we find in ‘Easter Living.’

While serving as an Assistant Professor at one of our seminaries in The Episcopal Church, I was invited by the editor of the New Churches Teaching Series to write the volume on Ethics and Moral Theology. This was the third such series of books going back to the 1950’s that seek to provide learning for persons interested in our tradition. Books in these series have addressed a wide range of areas in faith and community life pertinent to our common desire to become informed members. I wrote my book while teaching its content in the seminary, and in about 10 different parish weekend teaching events in Episcopal churches across the country, ‘field testing’ the material. My book was published in 2000, and is still in print. I wish to note that proceeds from all the books in this series were and are donated to the Anglican Theological Review, an independent journal offering the fruits of scholarship for the benefit and educational formation of those within as well as beyond the academy.

At the time of being granted tenure, a seminary trustee asked me what the title of the book implied about its content. It became evident that her concern was focused on my use of the word “after.” I was able to explain that I used the word to mean “in light of.” The book’s title is an indirect tribute to the theological vision of my doctoral supervisor, Oliver O’Donovan, then Regius Professor of Moral and Pastoral Theology at the University of Oxford, whose book, Resurrection and Moral Order, has had a profound impact upon my thinking.

It may be helpful to clarify that I use the terms “Christian ethics” and “moral theology” interchangeably. However, it is worth observing that many within the wider Protestant tradition tend to prefer the term “Christian ethics,” while those within the wider Catholic tradition tend to use that of “moral theology.” Note that “ethics,” as a named field of inquiry without the religious qualifier, is generally understood as a branch of philosophy, which may or may not observably underpin theological writings relevant to this field.

I would like to highlight a number of themes evident within and or suggested by the structure my book, which I think are particularly relevant to Christians at this point of time:

  • Foremost, the interdependence between ethics and spirituality, which I refer to as ‘two sides of the same coin’ despite their separate spheres of concern.
  • The centrality of Baptism in the lives of every Christian believer, and its implications regarding the vital relationship between what we believe and how we live
  • Our historic Anglican dependence upon the natural world as a source of insight about the Creator’s intentions for us and for our lives. This reflects our traditional emphasis upon the Incarnation of our Lord in human embodiment. We look for the complementarity between – but do not equate nor confuse – what the Medievals called the Book of Nature and the Book of Scripture, ‘written’ by the same Author, while having different even if overlapping purposes.
  • The distinctions that I offer between what I call “laws,” “manners,” and “moral principles.” Neglecting to distinguish among what these terms represent frequently causes confusion.

The final chapter of the book moves from elaboration of basic principles in Christian ethics/moral theology to an application of these principles by offering a methodological approach to how they might be applied with reference to a particular set of ethical questions, centering on how we approach a broad concern for all of us: “Should a Christian ever been involved in or associated with an act of violence?”

I wish to stress that this is not a book about “issues.” My goal was -and remains – an effort to recover and present the foundations of a solid Christian world view for how we might best approach any issue that may be of concern. So, this is not a book where you can turn to the index and look up such matters as capital punishment or a discussion of what might be a fair interest rate on loans. I try to remain careful about observing the important distinction between moral or ethical principles that we might share, and particular policy implementations that we then undertake to reflect or enact those principles in our common life.


For those who may be interested, I include here a précis of the structure of my book, articulated in the series of Axioms that are appended within it, as well as bullet point chapter summaries:

An Offering for Sunday, March 15, Fourth Sunday in Lent A

James Tissot, The Blind Man Washes in the Pool of Siloam

Prior homilies or sermons of mine are occasionally downloaded by readers. Noticing this, I anticipate that some of those preparing to preach (or offer a reading) on an upcoming Sunday might benefit from the perspective I have taken regarding the Lectionary readings for a particular day. I am therefore offering (when I can) a prior text that I have used for the occasion. I will try to do this on Sunday evenings or Mondays believing that there might interest in these texts being made available. When I have one prepared, I will also offer an accompanying handout (in pdf format) in case these may also be helpful.

For this coming Sunday, the Fourth Sunday in Lent in Lectionary year A, I offer the following.

The link for it is here. The link to the handout may be found further below.

Here is the link to the handout.