48 Years Ago Easter Turned My Life Downside Up

Moonrise over Athens, much as I remember it

A dusky early evening left a soft glow on the Acropolis, periodically visible as I walked from the hostel toward the church. Yet, the size and warmth of the rising full moon held my attention as its blush touched the hills, for a brief while silhouetting the pillars and pediments of the Parthenon.

It was the evening of Holy Saturday, which fell on March 25 that year. In other years the day would have been the Feast of the Annunciation, but in 1978 it was the eve of Easter Sunday. I walked the short distance to Syntagma Square, to revisit the Anglican parish I had found that morning. Now, in the approaching darkness, I was returning to make my first confession, and be baptized at the Great Easter Vigil.

St Paul’s Anglican Church, Athens

How this came to be was largely due to providential grace, for I had not traveled to Greece with this particular result in mind. I was on a college year abroad, having lived and studied in Florence during the autumn. Then, after Christmas in Germany, I traveled to England for two eight week terms of study at Oxford. My plan for the year was to focus on Art History, fulfilling in part my chosen college major.

But, as in the biblical Damascus Road surprise, when first walking into the piazza around the Duomo in Florence, I experienced an unexpectedly sudden conviction: That it was time for me to surrender to the divine power I had come to recognize but had yet to affirm. Asking if there was an English-speaking congregation nearby, I was directed to St James Episcopal Church near the American Consulate. Over the next few months, and with the guidance of Fr. Edward Lee, the parish became for me a place of spiritual nurture.

The autumn course of studies for our group of visiting students in Florence was a fixed one. But my subsequent program in England allowed me the freedom to choose a personal area of focus. The exotic sounding topic of Christian Mysticism had been commended to me, and upon naming this to my Oxford program administrator, I learned that she could arrange tutorials for me with a recognized specialist in the field. What a blessing this turned out to be.

St. James Episcopal Church, Florence, Italy

And so, during a cold and wet English winter, my catechesis in the Christian Faith was suddenly deepened. My growth was fed by readings from the early desert saints, on through to the spiritual writers of the medieval period. My study experience was complemented by a different approach to worship from what I had encountered in the liturgy at St. James Episcopal Church in Florence. By chance, I discovered Pusey House and Anglo-Catholic liturgy soon after arriving in Oxford. Passing by a notice board, I saw an announcement about an upcoming sermon focused on the spirituality of Thomas Merton, whose Seven Story Mountain autobiography I had read the year before. Fr. Cheslyn Jones, the Chaplain at Pusey and a specialist in the Greek New Testament, along with the history of liturgy and spirituality, became my next catechist.

Pusey House Chapel, Oxford, England

At the end of the Hilary (or winter) Term, I made the kind of plans many American students undertake hoping for spring warmth: To head as far south as cheaply possible, for what in my case would be a six week break before the Trinity Term.

I found a used tent and some economical camping supplies in local shops in Oxford, and located a round-trip bus ticket from London to Athens, offered by a discount travel bureau. This led to a remarkable pair of journeys to and from the continent, crossing between Dover and Ostend, through Belgium, Germany, Austria, and Yugoslavia, before finally arriving in Greece. Deposited on an Athenian curbside on an early afternoon, I found a local bus to the port of Piraeus. There I arranged for an overnight passage to Crete on a vintage island cargo and passenger ferry. The next morning, I bought a bus ticket to the south coast of Crete, going to a place a friend had recommended, the little seaside town of Ierapetra, near where St. Paul’s ship had sailed off the coast (Acts 27). Aside from my basic gear, I had brought along only a New Testament and a book of the sayings of the Desert Fathers for my Lenten reading. My plan to do a lot of fasting for spiritual reasons fit neatly with my need for economy.

My first couple of nights were spent in a farmer’s field, above the town and seaside. I awoke one of those mornings to a rapping on the tent pole that alarmed me, sensitive to a probable complaint about my trespassing. Instead, there was a kind man, his arms folded across his chest, cradling fresh tomatoes and cucumbers. I was very touched.

The beach along which I walked to Ierapetra on Crete

After a few days I relocated my tent to an area just above the pebbled beach, adjacent to the long shore upon which I would daily walk to the town. There I would buy a loaf of hearty brown bread, some cheese and sausage meat, as well as more tomatoes and cucumbers. These became the staples of my diet for about 5 weeks.

With just a couple of weeks to go before my return journey to England, a friend from our study program found me on Crete. He was conflicted and wrestling with a need to fly back to the States to be reconciled with his father. After a day or two, he resolved to act on his intuition, and departed on his long journey home.

A little Greek Orthodox church like the one in which I prayed on a morning of decision

Musing about his decision, I realized that I was moving toward a similar resolve, but that in my case it was a need to be reconciled with our spiritual Father. I was still fuzzy about what this might mean in concrete terms, but awoke the next morning with greater clarity. I walked into town to pray in a small Greek Orthodox church when I realized what I needed to do. That was to go back to Athens, find an English Church, and ask to be baptized. Fetching my sleeping bag from the tent and my New Testment, I booked a bus ticket back to the north shore of Crete for a return to Piraeus on the same overnight ship. It was then I learned that it was Good Friday.

The Greek inter-island ferry ship, the Minos, upon which I sailed overnight between Piraeus and Crete

Holy Saturday morning, the bus from Piraeus dropped me at Syntagma Square in central Athens where – very conveniently – I found St Paul’s Anglican Church. Reading the church sign with its parish notices, I learned the name of the priest, Fr. Jeremy Peake, and his telephone number. Taking the risk of calling him early on Holy Saturday morning, I surprised him with an unanticipated but what I hoped would be a welcome request: I wished to be baptized. In a wonderfully understated British way, he responded by saying, “Perhaps we should talk about that!” He then invited me to come by for coffee. When I shared with him about my months of study, and with whom I had been receiving instruction in the Christian Faith, he was reassured. Warmly, he invited me to come early to the church that evening to make my first confession, and receive Baptism at the Great Easter Vigil.

The garden area where new light of Easter was lit

The liturgy began in the darkened forecourt of the parish church, just off a main boulevard in central Athens. Amidst the busy sounds of the city around us, we gathered in silence to light the new fire with which the liturgy begins. Being my first experience of the Vigil, I was quite moved by the sequence of readings, starting with the Creation, through the Fall and the Flood, the Exodus and entrance into the Promised Land, with stories of God’s covenantal grace being extended and renewed again and again. When I was then baptized, I felt like I was on fire, an overwhelming experience of cleansing embrace and transformation. I received communion as a new member of the Body of Christ, and left the liturgy feeling like I was several feet off the ground.

On Sunday morning following the Eucharist I was invited to lunch by the kind couple who had agreed to be my sponsors for Baptism. During that wonderful meal, they explained a practice with which I was unfamiliar: Easter eggs all colored dark red, recalling a wonderful Eastertide legend associated with Mary Magdalene.

After a further week in my tent near Ierapetra, I returned to Oxford for another term of formation in the history of Christian spiritual theology. At the end of the term, I received the sacrament of Confirmation through the hands of a suffragan bishop of Winchester, at Pusey House on Pentecost Sunday.

My experience of what now seems to have been a magical series of months, forty eight years ago, comes back to me every Easter. Especially when the Feast of the Annunciation on March 25 happens to occur near Holy Week, as it did this year.


Additional note: Readers interested in the legend about St. Mary Magdalen and the red egg might like to read my earlier post on this topic, which may be found here. A further reflection of the impact of the story I share here can be seen in the opening chapter and the thematic structure of my book, Ethics After Easter.

An Offering for Sunday, April 12, Easter 2 A

Justin Matherly, (Untitled), Fear Anxiety Joy, 2016

Prior homilies or sermons of mine are occasionally downloaded by readers. Noticing this, I anticipate that some of those preparing to preach (or offer a reading) on an upcoming Sunday might benefit from the perspective I have taken regarding the Lectionary readings for a particular day. I am therefore offering (when I can) a prior text that I have used for the occasion. I will try to do this on Sunday evenings or Mondays believing that there might interest in these texts being made available. When I have one prepared, I will also offer an accompanying handout (in pdf format) in case these may also be helpful.

For this coming Sunday, Easter 2 in Lectionary year A, I offer the following.

The link for it is here. The link to the handout may be found further below.

Here is the link to the handout.

Through the Waters of Death Into New Life in Christ

Peter Koenig, Christ as Second Moses, The Rainbow Resurrection

Side Panels that accompany Christ as Second Moses

 

A perennial theme in the New Testament and in Christian reflection concerns how – in Christ – we are called to live through death into new life. When we die to our worldly attachments and their hold upon us, we open ourselves to a greater life that extends beyond this present one. As the Christ our Passover canticle from The Book of Common Prayer puts it,

Christ being raised from the dead will never die again; *
death no longer has dominion over him.
The death that he died, he died to sin, once for all; *
but the life he lives, he lives to God.
So also consider yourselves dead to sin, *
and alive to God in Jesus Christ our Lord.

Peter Koenig’s painting with its side panels, centered on themes within this Easter season, expresses this motif in a particularly evocative way. Just as Moses led the people of Israel through the waters of death into a new covenant life with God, so Christ leads us through and to the same. This happens for us liturgically in the rite of Baptism. As Koenig explores this idea, he not only depicts Christ parting the waters but also shows the water emerging from the Lord’s side. This reflects John’s account of how blood and water came forth from Jesus’ side on the cross, but also suggests how water from the rock in the wilderness brought life to God’s people during Israel’s wandering toward the Promised Land. The “Thanksgiving over the Water,” in The Prayer Book Baptismal Rite articulates these ideas in a compact way:

“We thank you, Almighty God, for the gift of water. Over it the Holy Spirit moved in the beginning of creation. Through it you led the children of Israel out of their bondage in Egypt into the land of promise. In it your Son Jesus received the baptism of John and was anointed by the Holy Spirit as the Messiah, the Christ, to lead us, through his death and resurrection, from the bondage of sin into everlasting life.

We thank you, Father, for the water of Baptism. In it we are buried with Christ in his death. By it we share in his resurrection. Through it we are reborn by the Holy Spirit.”

Notice how, in the painting at the top, Peter Koenig portrays the crucified and risen Christ before what appears to be a darkened tomb filled with people. As we hear Isaiah quoted in Advent, “The people who walked in darkness have seen a great light; those who dwelt in a land of deep darkness, on them has light shone.” Christ leads the way, and makes possible our journey from the darkness of death into our new covenant life with God.

The two side paintings that accompany Koenig’s Christ as Second Moses artfully yet powerfully suggest the drama within the Exodus account of Israel’s Red Sea Crossing. The chariots of Pharaoh succumb to the waters of death while Israel is safely delivered on dry ground to their Covenant encounter with God at Sinai. Another canticle from The Prayer Book puts it well:

I will sing to the Lord, for he is lofty and uplifted; *
the horse and its rider has he hurled into the sea.
The Lord is my strength and my refuge; *
the Lord has become my Savior.
This is my God and I will praise him, *
the God of my people and I will exalt him.
The Lord is a mighty warrior; *
Yahweh is his Name.
The chariots of Pharaoh and his army has he hurled into the sea; *
the finest of those who bear armor have been drowned in the Red Sea.
The fathomless deep has overwhelmed them; *
they sank into the depths like a stone.
Your right hand, O Lord, is glorious in might; *
your right hand, O Lord, has overthrown the enemy.

Most of us have the blessing of not facing the equivalent of Pharaoh’s army. But we do have an enemy. And our enemy is the darkness and death of loving self and this world, even to the point of contempt for God, when God bids us to love him, even to the point of contempt for self and this world. When we live as we pray, to the Father, through the Son, and in the Spirit, we experience new life.


The above painting is Peter Koenig’s, Christ as the Second Moses, also known as The Rainbow Resurrection (used by permission of the artist). The final paragraph contains a paraphrase of St. Augustine concerning how we love God, from The City of God (Book 14, chapter 28). / I am once again pleased to share Peter Koenig’s painting and the material in this post as we prepare for Easter Sunday, and the Baptisms that may be a part of the liturgy in many churches.

Good Friday 2026

Stanley Spencer, The Cruicifixion (1958)

 

(This week, I am offering a Good Friday homily that I have shared before.)

In the Passion Reading for this day, we are reminded of the dark spectacle of what human cruelty can accomplish. With Jesus, it was a vain attempt to obliterate the most beautiful human being who ever lived. Thank God, we have no photographs of the horrifying things that were done to him, but only paintings. But consider this paradox: the beauty of art has provided a way for us to a reflect on one of the darkest examples of human violence.

Paintings of our Lord’s Passion seem divided into two broad groups. There are those concerned to portray the grim reality of Roman execution. And, there are those inclined to explore and express the inner redemptive significance of what happened.

At the center of any portrayal of the Crucifixion of Jesus is an inescapable fact ~ that it was an act of political and judicial violence, where the forces of earthly injustice pretended to act in the name of human truth. The corollary to this is how Jesus’ subsequent Resurrection restored heavenly justice in the name of divine truth. Paintings of Jesus’ Crucifixion, and those of his Resurrection, usually give attention to his wounded body, even though his wounds then appear transformed on the Third Day. After all, this is one way the disciples recognize him after his death. How the death-marked body of Jesus looked after his resurrection, also provides a preview of his appearance at the end of time.

Charles Wesley’s Advent hymn, “Lo! he comes, with clouds descending” offers words that also apply to Good Friday.

“Every eye shall now behold him,
robed in dreadful majesty;
those who set at nought and sold him,
pierced and nailed him to the tree,
deeply wailing, deeply wailing…
shall the true Messiah see.

Those dear tokens of his passion
still his dazzling body bears,
cause of endless exultation
to his ransomed worshippers;
with what rapture, with what rapture
gaze we on those glorious scars!”

It is natural to imagine how the people directly responsible for Jesus’ death, from Judas and the high priests, to Herod and Pilate, might be overcome with grief at the triumphal Second Coming of the Lord. Those who pierced him might feel themselves pierced by awakened guilt and remorse. Indeed, for every one of us, seeing the fruit of our mischief and misdeeds can provoke us to tears.

But I think Wesley was getting at more than repentance and contrition. Surely, seeing the full beauty of the glory of our Lord, with his wounds transfigured, will also summon our tears — but with tears of joy. Wesley, prayerfully and with sensitivity, has given voice to the profound power of beauty. Especially when it is discerned in the most unexpected of places – in the face and body of the Crucified One. Love… the most profound love beyond human imagining, is manifest in the face and gestures of the crucified messiah. For he reaches out his hands even to forgive those who have tortured and sought to kill him. This is the most beautiful thing we could ever see.

As we pray in a Morning Prayer collect, “Lord Jesus Christ, you stretched out your arms of love on the hard wood of the cross that everyone might come within the reach of your saving embrace…”

Perceiving all this helps us make sense of the paradox at the heart of Jesus’ Crucifixion. For, in it, we perceive the dramatic juxtaposition of serenity with antagonism, of beauty with its dark opposite, and of moral good with apparent evil. We can see this in two paintings I have included with your worship bulletin: Hieronymus Bosch’ painting of Christ Carrying the Cross, and Stanley Spencer’s 1958 painting, The Crucifixion. Looking at them, I encourage you to join me in asking an awkward question: with which person or persons in these paintings do we identify?

Hieronymus Bosch, Christ Carrying the Cross

Though some 500 years apart, both painters portray the tranquil appearance of the peaceful heart of Jesus, even in the face of vicious hostility. And like Bosch, Spencer helps us see what the beautiful One in our midst sometimes provokes. Especially when the shining light of his presence exposes the dark shadows within and around us. For his light sometimes prompts fierce anger and envy, as well as a callous indifference to cruelty and suffering. Things of which we are all capable. And we are likely to have much invested in denying this ugly truth. Strangely, when confronted face to face with the divine opposite of our perversity, we will either fight the light that we encounter, or surrender to it. The Passion Narratives give us examples of those who resisted and even fought against the Light of the World. For we sometimes fight against the disturbing possibility that Jesus will conquer our pervasive ungodliness. And so, consciously or not, we try to do away with his godliness.

An encounter with true beauty can be unsettling and troubling, especially if we have already settled for so much less. We may often hope for the triumph of good over evil, that beauty will overcome darkness, and serenity will displace antagonism. But we cannot find it within ourselves to do more than hope. We cannot achieve the redemptive resolution for which we haltingly reach out with our feeble hands and hearts.

It is not an accident that the figure of Jesus in Stanley Spencer’s painting visually recedes in the foreground, while those who oppose and crucify him grab our interest and attention. Spencer, after mastering traditional realism, adopted what he called a neo-primitive style. He was a gifted colorist, and highly proficient with composition. And so, as Spencer has rendered him, Jesus’ skin tone and color roughly match that of the wood of the cross, as well as the clothing of the man with the hammer swung over his head. Spencer’s rendering of the Lord’s skin tone and color also match much of the sky and the ground below… including the tunic of Mary Magdalene, prostrate at the foot of the cross. This forms a compelling visual symbol. For Jesus totally identified with us, in his Incarnation, and in his Crucifixion. His crucifixion symbolizes his complete joining with us, and with our world of wrenching hurts and suffering.

In fact —as we see in Spencer’s composition and coloring— it is precisely because Jesus blended in so well with everyday life, that those who opposed him could literally gain the upper hand, ultimately with hammers and nails. (For he did not call down an army of angels to help him, as he could have.) But this is the marvel of the incarnation of our God in Jesus. The fullness of divinity thoroughly became joined with our fallen humanity. As the Gospels attest, this joining was so complete that many did not notice or have regard for his divinity. When we do notice his total identification with us, when we come face to face with the truth it represents, we have either one or the other of two reactions. We throw ourselves down in humility before him. Or, we seek to throw him down, to humble him before us.

These paradoxes are brought to their greatest prominence when, as he predicted, he is lifted up. His lifting up is his glorification, and the glorification of God within him. Yet his lifting up is on a cross, and in the agony of a humiliating public execution. Here we see the ‘strange beauty’ of our Lord — a beauty for which churches and museums better prepare us than do our malls and most TV shows.

So, let us “behold the fair beauty of the Lord, and … seek him in his temple.” We will find him! We will find him in the “temple” that he promised to raise in three days.


Attached here is a link to a handout that I have used in connection with this homily.

Additional note: Those interested in further reflection on some of the Holy Week themes raised here might wish to read my prior post, “The Beauty of What God Can Do, and Is Doing.”

Beauty and Revelation

James Tissot, God Creating

James Tissot’s painting depicting God’s creative work is likely to strike us as childishly simplistic in its portrayal of divinity. For it quite obviously displays what we consider to be the flaw of anthropomorphism, as if the artist was naive in his approach to faith. But what if our hesitation about anthropomorphism, aside from reflecting a proper theological concern, could also become an obstacle for us? What if the mysterious implausibility of God entering into and sharing the limitations of human being keeps us from appreciating how fallen human beings can – by the same graceful Providence – share in the beautiful fullness of God?

I believe that James Tissot came to realize this: Beauty is a form of divine revelation. And, that our joy when beholding beauty is our experience of God’s love manifest to and within us.

These themes are intrinsic to our participation in Holy Week. As we can learn from observing the traditional pattern for the liturgy on Good Friday, our focus in Holy Week is upon what God has done and is doing for us. The sign of this on Good Friday is our abstention from celebrating the Eucharist, and instead we receive communion from the sacrament reserved following the Maundy Thursday liturgy on the prior evening.

For God creates, God discloses, and God provides. Through all, God reveals self. God’s revelation involves God’s self-disclosing gifts. Within the divine attributes are those of initiative and efficacy, constitutive aspects of creativity. And so, when God creates human beings in God’s own image and likeness, God not only exercises creativity but also self-revelation.

Among the ways that we resemble our Maker is one that paradoxically can become a source of frustration for us. Positively, our Creator has given us intelligence and a God-reflecting capacity for creativity, initiative, and efficacy. In addition, God has given us an inclination toward experiencing freedom and an accompanying desire for its fulfillment. Employing these gifts can lead to an ironic and negative result: They allow us the freedom wrongly to imagine that God is actually a dispensable concept, and a coping mechanism which is just a reflection of our psychological needs and a projection of ourselves.

Reflecting on these things can lead us to recognize the heart of divine humility, that it should please God to create us in God’s own image and likeness. God has given us the capacity to imagine that we are self-made, and then to function in a parody of the divine role in Creation. This happens when we fool ourselves into thinking that we are the center of the universe. Expressions of this parody include our ideas that the universe is infinite, as are our own endless possibilities within it. Yet – and this is critical – only God is infinite, and we – like the universe – are finite beings, endowed not only with divine-reflecting capacities, but also with purpose, meaning, and identities that are not of our own making.

James Tissot, What Our Lord Saw From the Cross, a remarkable inversion of how we so often picture the scene

As we approach Holy Week, we have the opportunity once again to be those who watch, who listen, and reflect. As we do, we remind ourselves that we are bit players in the Divine Drama, whose Author has generously written for us a script that has a curious feature, ample provision for ‘ad-libbing.’ In fact, divine generosity is so abounding that we are allowed to create sub-plots within the overall story. To the point that we forget to reference the overall plot lines shaping the whole, as well as the Author’s purposes in creating them.

One thing that God achieved in the events of the Exodus was to remind both Pharaoh, as well as Moses and the people of Israel, that God was and is sovereign over history as well as over geography, the realms of both time and place. Forgetting this ancient truth, we neglect the comfort we can gain from the doctrine of Providence, that God provides for the needs of the world as well as our own, which God knows more intimately and with greater perception than we do. We should wonder that we are left free to imagine otherwise, a fantasy in which some of us at least occasionally engage.

But the humility we are invited to recover in this latter part of Lent, and most of all in Holy Week, involves opening ourselves to a very real possibility. That God’s way of overcoming our refusal and failure to live into the potential we have been given involves the beauty of a strange and unexpected gift. Christmas reminded us of part of this gift, that God became human so that humans could become God-like, and in the best possible way. Holy Week allows us to rediscover the gift that God chose to identify so much with us that, in the ‘Son of Man,’ the Incarnate divine-human being, God passed through human death into the fullness of human life so that we might be enabled by grace to do the same.

An Offering for Sunday, March 29, Palm Sunday in Lent A

James Tissot, The Procession in the Streets of Jerusalem

Prior homilies or sermons of mine are occasionally downloaded by readers. Noticing this, I anticipate that some of those preparing to preach (or offer a reading) on an upcoming Sunday might benefit from the perspective I have taken regarding the Lectionary readings for a particular day. I am therefore offering (when I can) a prior text that I have used for the occasion. I will try to do this on Sunday evenings or Mondays believing that there might interest in these texts being made available. When I have one prepared, I will also offer an accompanying handout (in pdf format) in case these may also be helpful.

For this coming Sunday, the Palm Sunday in Lent in Lectionary year A, I offer the following.

The link for it is here. The link to the handout may be found further below.

Here is the link to the handout.

Some Rebuild Classic Wooden Boats

Tally Ho in her glory, with her full suit of sails

My brother, who shares my love of boats, introduced me to the YouTube video channel based on Tally Ho, a classic wooden sailboat rebuilt by a young man named Leo Goolden. Watching Leo’s videos led me to those made by Nicholas Verrochi, about his preservation work on the Argonaut II. Through further viewing, I found videos made by the boatwright, Barry Collins, and then Joshua Alexander’s series titled A Boat in the Woods.

Several noteworthy things connect these particular examples of folks who love boats. Most appear to be in their 30’s or younger; they have pursued restoring or re-building traditional wooden boats; and they have gravitated around or have connections with the boat community at Port Townsend, Washington. Together, they display what is perhaps the simplest definition of vocation: doing what you cannot not do. And then, applying yourself to it as fully as you can. This may be the most elemental way that we gain God-awareness in our lives.

A photo capturing the Port Townsend Wooden Boat Festival

As long as there have been young dreamers and old hulls, there have been romantic attachments to wooden boats. This may especially be true in our technological era, run by electronics operating on industrial mechanisms composed of synthetic materials. The art of building wooden boats, well associated with the “age of sail,” has experienced something of a renaissance. Evidence for this includes nationally-known boatbuilding schools offering project workshops, and companies that produce wooden kits with pre-cut materials, attractive to aspiring boat builders. Wooden Boat and Small Boats Monthly are two examples of popular publications that provide knowledge about boats of this kind, as well as basic instruction concerning building techniques employing traditional tools.

There is an observable confluence of energy and enthusiasm amongst the particular group of folks I am featuring here, with their common interest in restoring examples of wooden boats, along with their shared rediscovery of fulfilling patterns of life on vessels not permanently moored in a single location. Their videos offer continuing education regarding the restoration and maintenance of old boats, as well as an introduction to facets of essential ‘boat craft.’

Leo Goolden under the hull of Tally Ho during her reconstruction

Tally Ho! Leo Goolden is a very likable young man with the skills of a master shipwright who possesses a keen eye for craftsmanship in work, materials, and ship hardware. It is impossible not to fall in love with the restored Tally Ho (launched in 1910), presently making her way into the Caribbean Sea, having transited from British Columbia. Leo’s well-filmed videos, along with their explanatory power and evocative musical selections, provide evidence of his successful fundraising. Every feature of this 48’ gaff-rigged cutter attests to the ‘quality-first’ orientation of a purist who knows what he is doing, and who is open to learning about the ‘best next options.’ Those who dream about sailing the perfect wooden boat will love following Tally Ho and her continuing adventures.

Nicholas Verrochio and his boatwright assistants
Argonaut II at sunset on her home waters

Nicholas Verrochio and a team of marine carpenters are presently rebuilding signficant portions of the hull of Argonaut II, a beautiful 73’ motor cruiser originally launched in 1922 for a lumber tycoon, and subsequently used by the United Church of Christ for decades as a floating missionary post stationed in the Georgia Straight. Nicholas has evident gifts for both hospitality and the stewardship of history, and sees his work on Argonaut II as having a mission to share discovery experiences on the water in the comfort of a historic and well-preserved yacht. Watching his videos, including those displaying the meals he prepares, inspires pleasant thoughts of chartering his boat.

Sailor Barry and Hailly, who share stewardship of Thunder Child
Thunder Child at her dock

Sailor Barry’s videos tell us as much about how tending to boats has been ‘life work’ for him as it has been about being a shipwright. His path has been strongly shaped by hard work on the sea, and he seems to have a natural affinity with marine carpentry and mechanical matters. Watching him at work, we learn how his abiding application of himself to boats and woodworking have had an attractive healing power for him. He and his sailing partner, Hailly, have done wonders with transforming Thunder Child, their 1971 William Atkin 36’ gaff-rigged ketch, purchased from a couple who had owned and sailed it for 49 years.

Joshua Alexander working on the hull of his as yet unnamed boat in a Nova Scotian forest

Joshua Alexander’s videos effectively document his ongoing campaign to make seaworthy a forlorn 40’ boat built in 1966 in Yokohama, Japan. He had the hulk moved to a friend’s wooded property where he built a tented structure in which to live while working on her. With very limited resources and alone except for a curious owl, he demonstrates the vision, dedication, and woodworking knowledge to see through this immense project. His droll, emotionless voice-over narration, which does not overlook his recurring setbacks, is strangely compelling, conjuring up images of a 19th century New England sea captain reincarnated as a youth in the woods of contemporary Nova Scotia. Yet, until recently, Joshua has never sailed a boat! For those who love ‘underdogs,’ Joshua and his boat present us with a paradoxical conjunction between our high hopes for him, and a project that faces immense challenges.

A still image from Joshua Alexander’s A Boat in the Woods series

Additional Note: YouTube provides an accessible way to become more familiar with these boat builders and their projects. Their videos can be found linked to the following YouTube channel names (in the order in which I have presented them, above): Sampson Boat Co (for Tally Ho); Argonaut II; SailorBarry; and A Boat in the Woods.

An Offering for Sunday, March 22, Fifth Sunday in Lent A

James Tissot, Jesus Wept

Prior homilies or sermons of mine are occasionally downloaded by readers. Noticing this, I anticipate that some of those preparing to preach (or offer a reading) on an upcoming Sunday might benefit from the perspective I have taken regarding the Lectionary readings for a particular day. I am therefore offering (when I can) a prior text that I have used for the occasion. I will try to do this on Sunday evenings or Mondays believing that there might interest in these texts being made available. When I have one prepared, I will also offer an accompanying handout (in pdf format) in case these may also be helpful.

For this coming Sunday, the Fifth Sunday in Lent in Lectionary year A, I offer the following.

The link for it is here. The link to the handout may be found further below.

Here is the link to the handout.

Finding Beauty in Easter Living

A book for the New Church’s Teaching Series

Visitors to this space are familiar with my fondness for the words of St. Richard of Chichester: “Day by day, dear Lord, of thee three things I pray: to see thee more clearly, love thee more dearly, follow thee more nearly, day by day.” The theme can be expressed more compactly: We seek to live more nearly as we pray. These words voice our desire to walk a path of beauty in life, such as we find in ‘Easter Living.’

While serving as an Assistant Professor at one of our seminaries in The Episcopal Church, I was invited by the editor of the New Churches Teaching Series to write the volume on Ethics and Moral Theology. This was the third such series of books going back to the 1950’s that seek to provide learning for persons interested in our tradition. Books in these series have addressed a wide range of areas in faith and community life pertinent to our common desire to become informed members. I wrote my book while teaching its content in the seminary, and in about 10 different parish weekend teaching events in Episcopal churches across the country, ‘field testing’ the material. My book was published in 2000, and is still in print. I wish to note that proceeds from all the books in this series were and are donated to the Anglican Theological Review, an independent journal offering the fruits of scholarship for the benefit and educational formation of those within as well as beyond the academy.

At the time of being granted tenure, a seminary trustee asked me what the title of the book implied about its content. It became evident that her concern was focused on my use of the word “after.” I was able to explain that I used the word to mean “in light of.” The book’s title is an indirect tribute to the theological vision of my doctoral supervisor, Oliver O’Donovan, then Regius Professor of Moral and Pastoral Theology at the University of Oxford, whose book, Resurrection and Moral Order, has had a profound impact upon my thinking.

It may be helpful to clarify that I use the terms “Christian ethics” and “moral theology” interchangeably. However, it is worth observing that many within the wider Protestant tradition tend to prefer the term “Christian ethics,” while those within the wider Catholic tradition tend to use that of “moral theology.” Note that “ethics,” as a named field of inquiry without the religious qualifier, is generally understood as a branch of philosophy, which may or may not observably underpin theological writings relevant to this field.

I would like to highlight a number of themes evident within and or suggested by the structure my book, which I think are particularly relevant to Christians at this point of time:

  • Foremost, the interdependence between ethics and spirituality, which I refer to as ‘two sides of the same coin’ despite their separate spheres of concern.
  • The centrality of Baptism in the lives of every Christian believer, and its implications regarding the vital relationship between what we believe and how we live
  • Our historic Anglican dependence upon the natural world as a source of insight about the Creator’s intentions for us and for our lives. This reflects our traditional emphasis upon the Incarnation of our Lord in human embodiment. We look for the complementarity between – but do not equate nor confuse – what the Medievals called the Book of Nature and the Book of Scripture, ‘written’ by the same Author, while having different even if overlapping purposes.
  • The distinctions that I offer between what I call “laws,” “manners,” and “moral principles.” Neglecting to distinguish among what these terms represent frequently causes confusion.

The final chapter of the book moves from elaboration of basic principles in Christian ethics/moral theology to an application of these principles by offering a methodological approach to how they might be applied with reference to a particular set of ethical questions, centering on how we approach a broad concern for all of us: “Should a Christian ever been involved in or associated with an act of violence?”

I wish to stress that this is not a book about “issues.” My goal was -and remains – an effort to recover and present the foundations of a solid Christian world view for how we might best approach any issue that may be of concern. So, this is not a book where you can turn to the index and look up such matters as capital punishment or a discussion of what might be a fair interest rate on loans. I try to remain careful about observing the important distinction between moral or ethical principles that we might share, and particular policy implementations that we then undertake to reflect or enact those principles in our common life.


For those who may be interested, I include here a précis of the structure of my book, articulated in the series of Axioms that are appended within it, as well as bullet point chapter summaries:

An Offering for Sunday, March 15, Fourth Sunday in Lent A

James Tissot, The Blind Man Washes in the Pool of Siloam

Prior homilies or sermons of mine are occasionally downloaded by readers. Noticing this, I anticipate that some of those preparing to preach (or offer a reading) on an upcoming Sunday might benefit from the perspective I have taken regarding the Lectionary readings for a particular day. I am therefore offering (when I can) a prior text that I have used for the occasion. I will try to do this on Sunday evenings or Mondays believing that there might interest in these texts being made available. When I have one prepared, I will also offer an accompanying handout (in pdf format) in case these may also be helpful.

For this coming Sunday, the Fourth Sunday in Lent in Lectionary year A, I offer the following.

The link for it is here. The link to the handout may be found further below.

Here is the link to the handout.