Liturgy

Through the Waters of Death Into New Life in Christ

Peter Koenig, *Christ as Second Moses*, *The Rainbow Resurrection*

Side Panels that accompany *Christ as Second Moses*

A perennial theme in the New Testament and in Christian reflection concerns how – in Christ – we are called to live through death into new life. When we die to our worldly attachments and their hold upon us, we open ourselves to a greater life that extends beyond this present one. As the Christ our Passover canticle from The Book of Common Prayer puts it,

Christ being raised from the dead will never die again; *
death no longer has dominion over him.
The death that he died, he died to sin, once for all; *
but the life he lives, he lives to God.
So also consider yourselves dead to sin, *
and alive to God in Jesus Christ our Lord.

Peter Koenig’s painting with its side panels, centered on themes within this Easter season, expresses this motif in a particularly evocative way. Just as Moses led the people of Israel through the waters of death into a new covenant life with God, so Christ leads us through and to the same. This happens for us liturgically in the rite of Baptism. As Koenig explores this idea, he not only depicts Christ parting the waters but also shows the water emerging from the Lord’s side. This reflects John’s account of how blood and water came forth from Jesus’ side on the cross, but also suggests how water from the rock in the wilderness brought life to God’s people during Israel’s wandering toward the Promised Land. The “Thanksgiving over the Water,” in The Prayer Book Baptismal Rite articulates these ideas in a compact way:

“We thank you, Almighty God, for the gift of water. Over it the Holy Spirit moved in the beginning of creation. Through it you led the children of Israel out of their bondage in Egypt into the land of promise. In it your Son Jesus received the baptism of John and was anointed by the Holy Spirit as the Messiah, the Christ, to lead us, through his death and resurrection, from the bondage of sin into everlasting life.

We thank you, Father, for the water of Baptism. In it we are buried with Christ in his death. By it we share in his resurrection. Through it we are reborn by the Holy Spirit.”

Notice how, in the painting at the top, Peter Koenig portrays the crucified and risen Christ before what appears to be a darkened tomb filled with people. As we hear Isaiah quoted in Advent, “The people who walked in darkness have seen a great light; those who dwelt in a land of deep darkness, on them has light shone.” Christ leads the way, and makes possible our journey from the darkness of death into our new covenant life with God.

The two side paintings that accompany Koenig’s Christ as Second Moses artfully yet powerfully suggest the drama within the Exodus account of Israel’s Red Sea Crossing. The chariots of Pharaoh succumb to the waters of death while Israel is safely delivered on dry ground to their Covenant encounter with God at Sinai. Another canticle from The Prayer Book puts it well:

I will sing to the Lord, for he is lofty and uplifted; *
the horse and its rider has he hurled into the sea.
The Lord is my strength and my refuge; *
the Lord has become my Savior.
This is my God and I will praise him, *
the God of my people and I will exalt him.
The Lord is a mighty warrior; *
Yahweh is his Name.
The chariots of Pharaoh and his army has he hurled into the sea; *
the finest of those who bear armor have been drowned in the Red Sea.
The fathomless deep has overwhelmed them; *
they sank into the depths like a stone.
Your right hand, O Lord, is glorious in might; *
your right hand, O Lord, has overthrown the enemy.

Most of us have the blessing of not facing the equivalent of Pharaoh’s army. But we do have an enemy. And our enemy is the darkness and death of loving self and this world, even to the point of contempt for God, when God bids us to love him, even to the point of contempt for self and this world. When we live as we pray, to the Father, through the Son, and in the Spirit, we experience new life.

The above painting is Peter Koenig’s, Christ as the Second Moses, also known as The Rainbow Resurrection (used by permission of the artist). The final paragraph contains a paraphrase of St. Augustine concerning how we love God, from The City of God (Book 14, chapter 28). / I am once again pleased to share Peter Koenig’s painting and the material in this post as we prepare for Easter Sunday, and the Baptisms that may be a part of the liturgy in many churches.

Good Friday 2026

Stanley Spencer, *The Cruicifixion* (1958)

(This week, I am offering a Good Friday homily that I have shared before.)

In the Passion Reading for this day, we are reminded of the dark spectacle of what human cruelty can accomplish. With Jesus, it was a vain attempt to obliterate the most beautiful human being who ever lived. Thank God, we have no photographs of the horrifying things that were done to him, but only paintings. But consider this paradox: the beauty of art has provided a way for us to a reflect on one of the darkest examples of human violence.

Paintings of our Lord’s Passion seem divided into two broad groups. There are those concerned to portray the grim reality of Roman execution. And, there are those inclined to explore and express the inner redemptive significance of what happened.

At the center of any portrayal of the Crucifixion of Jesus is an inescapable fact ~ that it was an act of political and judicial violence, where the forces of earthly injustice pretended to act in the name of human truth. The corollary to this is how Jesus’ subsequent Resurrection restored heavenly justice in the name of divine truth. Paintings of Jesus’ Crucifixion, and those of his Resurrection, usually give attention to his wounded body, even though his wounds then appear transformed on the Third Day. After all, this is one way the disciples recognize him after his death. How the death-marked body of Jesus looked after his resurrection, also provides a preview of his appearance at the end of time.

Charles Wesley’s Advent hymn, “Lo! he comes, with clouds descending” offers words that also apply to Good Friday.

“Every eye shall now behold him,
robed in dreadful majesty;
those who set at nought and sold him,
pierced and nailed him to the tree,
deeply wailing, deeply wailing…
shall the true Messiah see.

Those dear tokens of his passion
still his dazzling body bears,
cause of endless exultation
to his ransomed worshippers;
with what rapture, with what rapture
gaze we on those glorious scars!”

It is natural to imagine how the people directly responsible for Jesus’ death, from Judas and the high priests, to Herod and Pilate, might be overcome with grief at the triumphal Second Coming of the Lord. Those who pierced him might feel themselves pierced by awakened guilt and remorse. Indeed, for every one of us, seeing the fruit of our mischief and misdeeds can provoke us to tears.

But I think Wesley was getting at more than repentance and contrition. Surely, seeing the full beauty of the glory of our Lord, with his wounds transfigured, will also summon our tears — but with tears of joy. Wesley, prayerfully and with sensitivity, has given voice to the profound power of beauty. Especially when it is discerned in the most unexpected of places – in the face and body of the Crucified One. Love… the most profound love beyond human imagining, is manifest in the face and gestures of the crucified messiah. For he reaches out his hands even to forgive those who have tortured and sought to kill him. This is the most beautiful thing we could ever see.

As we pray in a Morning Prayer collect, “Lord Jesus Christ, you stretched out your arms of love on the hard wood of the cross that everyone might come within the reach of your saving embrace…”

Perceiving all this helps us make sense of the paradox at the heart of Jesus’ Crucifixion. For, in it, we perceive the dramatic juxtaposition of serenity with antagonism, of beauty with its dark opposite, and of moral good with apparent evil. We can see this in two paintings I have included with your worship bulletin: Hieronymus Bosch’ painting of Christ Carrying the Cross, and Stanley Spencer’s 1958 painting, The Crucifixion. Looking at them, I encourage you to join me in asking an awkward question: with which person or persons in these paintings do we identify?

Hieronymus Bosch, *Christ Carrying the Cross*

Though some 500 years apart, both painters portray the tranquil appearance of the peaceful heart of Jesus, even in the face of vicious hostility. And like Bosch, Spencer helps us see what the beautiful One in our midst sometimes provokes. Especially when the shining light of his presence exposes the dark shadows within and around us. For his light sometimes prompts fierce anger and envy, as well as a callous indifference to cruelty and suffering. Things of which we are all capable. And we are likely to have much invested in denying this ugly truth. Strangely, when confronted face to face with the divine opposite of our perversity, we will either fight the light that we encounter, or surrender to it. The Passion Narratives give us examples of those who resisted and even fought against the Light of the World. For we sometimes fight against the disturbing possibility that Jesus will conquer our pervasive ungodliness. And so, consciously or not, we try to do away with his godliness.

An encounter with true beauty can be unsettling and troubling, especially if we have already settled for so much less. We may often hope for the triumph of good over evil, that beauty will overcome darkness, and serenity will displace antagonism. But we cannot find it within ourselves to do more than hope. We cannot achieve the redemptive resolution for which we haltingly reach out with our feeble hands and hearts.

It is not an accident that the figure of Jesus in Stanley Spencer’s painting visually recedes in the foreground, while those who oppose and crucify him grab our interest and attention. Spencer, after mastering traditional realism, adopted what he called a neo-primitive style. He was a gifted colorist, and highly proficient with composition. And so, as Spencer has rendered him, Jesus’ skin tone and color roughly match that of the wood of the cross, as well as the clothing of the man with the hammer swung over his head. Spencer’s rendering of the Lord’s skin tone and color also match much of the sky and the ground below… including the tunic of Mary Magdalene, prostrate at the foot of the cross. This forms a compelling visual symbol. For Jesus totally identified with us, in his Incarnation, and in his Crucifixion. His crucifixion symbolizes his complete joining with us, and with our world of wrenching hurts and suffering.

In fact —as we see in Spencer’s composition and coloring— it is precisely because Jesus blended in so well with everyday life, that those who opposed him could literally gain the upper hand, ultimately with hammers and nails. (For he did not call down an army of angels to help him, as he could have.) But this is the marvel of the incarnation of our God in Jesus. The fullness of divinity thoroughly became joined with our fallen humanity. As the Gospels attest, this joining was so complete that many did not notice or have regard for his divinity. When we do notice his total identification with us, when we come face to face with the truth it represents, we have either one or the other of two reactions. We throw ourselves down in humility before him. Or, we seek to throw him down, to humble him before us.

These paradoxes are brought to their greatest prominence when, as he predicted, he is lifted up. His lifting up is his glorification, and the glorification of God within him. Yet his lifting up is on a cross, and in the agony of a humiliating public execution. Here we see the ‘strange beauty’ of our Lord — a beauty for which churches and museums better prepare us than do our malls and most TV shows.

So, let us “behold the fair beauty of the Lord, and … seek him in his temple.” We will find him! We will find him in the “temple” that he promised to raise in three days.

Attached here is a link to a handout that I have used in connection with this homily.

Good Friday Handout_Bosch and Spencer_Legal Horizontal_PDF Download

Additional note: Those interested in further reflection on some of the Holy Week themes raised here might wish to read my prior post, “The Beauty of What God Can Do, and Is Doing.”

Beauty and Revelation

James Tissot’s painting depicting God’s creative work is likely to strike us as childishly simplistic in its portrayal of divinity. For it quite obviously displays what we consider to be the flaw of anthropomorphism, as if the artist was naive in his approach to faith. But what if our hesitation about anthropomorphism, aside from reflecting a proper theological concern, could also become an obstacle for us? What if the mysterious implausibility of God entering into and sharing the limitations of human being keeps us from appreciating how fallen human beings can – by the same graceful Providence – share in the beautiful fullness of God?

I believe that James Tissot came to realize this: Beauty is a form of divine revelation. And, that our joy when beholding beauty is our experience of God’s love manifest to and within us.

These themes are intrinsic to our participation in Holy Week. As we can learn from observing the traditional pattern for the liturgy on Good Friday, our focus in Holy Week is upon what God has done and is doing for us. The sign of this on Good Friday is our abstention from celebrating the Eucharist, and instead we receive communion from the sacrament reserved following the Maundy Thursday liturgy on the prior evening.

For God creates, God discloses, and God provides. Through all, God reveals self. God’s revelation involves God’s self-disclosing gifts. Within the divine attributes are those of initiative and efficacy, constitutive aspects of creativity. And so, when God creates human beings in God’s own image and likeness, God not only exercises creativity but also self-revelation.

Among the ways that we resemble our Maker is one that paradoxically can become a source of frustration for us. Positively, our Creator has given us intelligence and a God-reflecting capacity for creativity, initiative, and efficacy. In addition, God has given us an inclination toward experiencing freedom and an accompanying desire for its fulfillment. Employing these gifts can lead to an ironic and negative result: They allow us the freedom wrongly to imagine that God is actually a dispensable concept, and a coping mechanism which is just a reflection of our psychological needs and a projection of ourselves.

Reflecting on these things can lead us to recognize the heart of divine humility, that it should please God to create us in God’s own image and likeness. God has given us the capacity to imagine that we are self-made, and then to function in a parody of the divine role in Creation. This happens when we fool ourselves into thinking that we are the center of the universe. Expressions of this parody include our ideas that the universe is infinite, as are our own endless possibilities within it. Yet – and this is critical – only God is infinite, and we – like the universe – are finite beings, endowed not only with divine-reflecting capacities, but also with purpose, meaning, and identities that are not of our own making.

James Tissot, *What Our Lord Saw From the Cross*, a remarkable inversion of how we so often picture the scene

As we approach Holy Week, we have the opportunity once again to be those who watch, who listen, and reflect. As we do, we remind ourselves that we are bit players in the Divine Drama, whose Author has generously written for us a script that has a curious feature, ample provision for ‘ad-libbing.’ In fact, divine generosity is so abounding that we are allowed to create sub-plots within the overall story. To the point that we forget to reference the overall plot lines shaping the whole, as well as the Author’s purposes in creating them.

One thing that God achieved in the events of the Exodus was to remind both Pharaoh, as well as Moses and the people of Israel, that God was and is sovereign over history as well as over geography, the realms of both time and place. Forgetting this ancient truth, we neglect the comfort we can gain from the doctrine of Providence, that God provides for the needs of the world as well as our own, which God knows more intimately and with greater perception than we do. We should wonder that we are left free to imagine otherwise, a fantasy in which some of us at least occasionally engage.

But the humility we are invited to recover in this latter part of Lent, and most of all in Holy Week, involves opening ourselves to a very real possibility. That God’s way of overcoming our refusal and failure to live into the potential we have been given involves the beauty of a strange and unexpected gift. Christmas reminded us of part of this gift, that God became human so that humans could become God-like, and in the best possible way. Holy Week allows us to rediscover the gift that God chose to identify so much with us that, in the ‘Son of Man,’ the Incarnate divine-human being, God passed through human death into the fullness of human life so that we might be enabled by grace to do the same.

Finding Beauty in Easter Living

A book for the New Church’s Teaching Series

Visitors to this space are familiar with my fondness for the words of St. Richard of Chichester: “Day by day, dear Lord, of thee three things I pray: to see thee more clearly, love thee more dearly, follow thee more nearly, day by day.” The theme can be expressed more compactly: We seek to live more nearly as we pray. These words voice our desire to walk a path of beauty in life, such as we find in ‘Easter Living.’

While serving as an Assistant Professor at one of our seminaries in The Episcopal Church, I was invited by the editor of the New Churches Teaching Series to write the volume on Ethics and Moral Theology. This was the third such series of books going back to the 1950’s that seek to provide learning for persons interested in our tradition. Books in these series have addressed a wide range of areas in faith and community life pertinent to our common desire to become informed members. I wrote my book while teaching its content in the seminary, and in about 10 different parish weekend teaching events in Episcopal churches across the country, ‘field testing’ the material. My book was published in 2000, and is still in print. I wish to note that proceeds from all the books in this series were and are donated to the Anglican Theological Review, an independent journal offering the fruits of scholarship for the benefit and educational formation of those within as well as beyond the academy.

At the time of being granted tenure, a seminary trustee asked me what the title of the book implied about its content. It became evident that her concern was focused on my use of the word “after.” I was able to explain that I used the word to mean “in light of.” The book’s title is an indirect tribute to the theological vision of my doctoral supervisor, Oliver O’Donovan, then Regius Professor of Moral and Pastoral Theology at the University of Oxford, whose book, Resurrection and Moral Order, has had a profound impact upon my thinking.

It may be helpful to clarify that I use the terms “Christian ethics” and “moral theology” interchangeably. However, it is worth observing that many within the wider Protestant tradition tend to prefer the term “Christian ethics,” while those within the wider Catholic tradition tend to use that of “moral theology.” Note that “ethics,” as a named field of inquiry without the religious qualifier, is generally understood as a branch of philosophy, which may or may not observably underpin theological writings relevant to this field.

I would like to highlight a number of themes evident within and or suggested by the structure my book, which I think are particularly relevant to Christians at this point of time:

Foremost, the interdependence between ethics and spirituality, which I refer to as ‘two sides of the same coin’ despite their separate spheres of concern.
The centrality of Baptism in the lives of every Christian believer, and its implications regarding the vital relationship between what we believe and how we live
Our historic Anglican dependence upon the natural world as a source of insight about the Creator’s intentions for us and for our lives. This reflects our traditional emphasis upon the Incarnation of our Lord in human embodiment. We look for the complementarity between – but do not equate nor confuse – what the Medievals called the Book of Nature and the Book of Scripture, ‘written’ by the same Author, while having different even if overlapping purposes.
The distinctions that I offer between what I call “laws,” “manners,” and “moral principles.” Neglecting to distinguish among what these terms represent frequently causes confusion.

The final chapter of the book moves from elaboration of basic principles in Christian ethics/moral theology to an application of these principles by offering a methodological approach to how they might be applied with reference to a particular set of ethical questions, centering on how we approach a broad concern for all of us: “Should a Christian ever been involved in or associated with an act of violence?”

I wish to stress that this is not a book about “issues.” My goal was -and remains – an effort to recover and present the foundations of a solid Christian world view for how we might best approach any issue that may be of concern. So, this is not a book where you can turn to the index and look up such matters as capital punishment or a discussion of what might be a fair interest rate on loans. I try to remain careful about observing the important distinction between moral or ethical principles that we might share, and particular policy implementations that we then undertake to reflect or enact those principles in our common life.

For those who may be interested, I include here a précis of the structure of my book, articulated in the series of Axioms that are appended within it, as well as bullet point chapter summaries:

EAE_Axioms & Chapter Contents Amplified_for 2026 Download

“… She Is Still Out There…”

James Tissot, *The Resucitation of Lazarus*

(Note: At the time of publication, what has happened to Nancy, the mother of Samantha Guthrie, is still unclear.)

The beginning of Lent offers us a stark reminder of our mortality, and of our ’nothingness’ apart from God’s Grace. This may lead some of us to be mindful of the death that we fear, or the deaths of loved ones whom we mourn. Our observance of ‘a holy Lent’ provides a season when we can grow in our assurance of the New Life we are given in and through Christ. This happens through our Baptism into his death and Resurrection. The Easter season that lies ahead has much to say about this, which is one reason we might devote ourselves to particular disciplines of preparation during these Forty Days.

I want to approach this theme in light of the recent widespread publicity given to the abduction of Nancy, the mother of Samantha Guthrie. This tragedy has focused a great deal of attention on some words that she and her siblings have used with reference to their mother: “We believe she is still out there.” This cautious statement has been oft-repeated by law officers and the news media.

We hear these words in the context of learning that Samantha Guthrie has been a member of St. Philip in the Hills Episcopal Church, in Tucson, where a prayer vigil was offered on behalf of her mother. Samantha has also written a book in which she expresses her Christian faith, a fact also evident in some of her recent public communications.

For Christians, our loved ones are always ‘still out there.’ I want to offer some reflection on this phrasing, and explore what the Guthries’ quoted words may mean in terms of Christian belief.

Despite a common notion we sometimes encounter in popular culture, people who die do not become ‘angels.’ Nevertheless, traditional Christian faith teaches us that angels are like us in reflecting a divine attribute, personhood. For we believe in One God in Three Persons (the Father, the Son, and the Holy Spirit). This is the mystery of the holy Trinitarian nature of God, in whose image and likeness all persons have been created. From our knowledge of God, and our experience of ourselves, we know that an integral feature of personhood is being in relationship with other persons.

Yet, unlike angels, we are embodied, and remain embodied regardless of our transformation through the resurrection of the dead at the end of our mortal, physical, lives.

Since the time of the New Testament, Christians have spoken about this transformation into a new form of embodiment by employing various metaphors. In view of this, at our demise, we do not become like a drop of water returning to the sea, or move from a personal identity based on our differentiation from others into an unconscious and undifferentiated state of life. As if – at death – we will somehow be dissolved into a greater realm of ‘Spirit.’

By our Baptism into the death and Resurrection of Jesus, we become named members of His Body, the one Body of Christ. This is the Church in its essence, which comprises the communion of all the Baptized, whether they are ‘on this side of the veil’ or have gone before us to the next life. Thus, though we (as Anglicans) do not pray to saints, we pray with them as the Holy Spirit enables this activity within us. Those presently alive in this life and those who have ‘gone before us’ – are both ‘here’ and ‘there,’ in a shared living stream of ongoing prayer and fellowship.

An oft-neglected article of traditional Christian faith is that of the Ascension of our Lord, directly tied to his Resurrection from the dead. In our faith, Christ did not ‘go up’ alone, but carried with him our human nature. This enabled our own transition – with him – into the next life. When we die, by Grace we move into a greater experience of nearness with our Lord, who is already with us, and in us. Therefore, we do not cease ‘to be’ at death. And we are taught not to fear physical death in view of our belief in the significance of our Baptism into Christ’s death and Resurrection. By virtue of this Ascension-fortified faith, we have assurance about our continuing fellowship with those who have died “in the Lord.”

In view of these fundamental aspects of Christian believing, we can recognize how Nancy Guthrie continues to be among us, and always will be, regardless of what may have happened to her in the recent tragic circumstances now so familiar to us. For as Jesus is quoted as saying, in John 11:25-26, “I am the resurrection and the life. Those who believe in me, even though they die, will live, and everyone who lives and believes in me will never die.”

Note: I present these reflections without implying that my words here have negative implications regarding those who do not share our faith nor our baptismal identity. As for people whose faith (or lack of it) is known to God alone, we need to remind ourselves that, in God’s Providential wisdom, the divine will for those who do not identify as Christian remains a mystery to us.

The Beautiful Feast of the Presentation

Ambrogio Lorenzetti (1319-1348), *Presentation at the Temple*

I can’t imagine ever forgetting the experience of holding our first child right after his birth. I’m sure no parent ever does. It was in a hospital in Oxford, England, where midwives assisted Martha. After the birth, they went off to make us a pot of tea, leaving us to enjoy our new baby. What I cannot account for is the mysterious sense of deference I felt toward the Creator in that moment. Not only of profound thanks, of course, but an urge to offer something to God. I believe this feeling is based upon an ancient impulse, latent within our souls. This impulse plays a significant role in the Bible, and particularly in our Gospel for this feast day. All this was made poignant for me when our son, Per, was baptized on February 2, the Presentation of our Lord at the Temple, a few months after his birth.

A way into the mystery of the beautiful Feast of the Presentation is to notice how, soon after Jesus’ birth, Mary and Joseph bring him to the Temple in Jerusalem. They present him to the Lord, offering a sacrifice according to the Law. Lorenzetti’s painting of this moment captures the ancient impulse to express thanks for God’s gifts, an impulse that still resonates within us in modern times.

The fuller significance of where the Presentation occurred is less obvious. In Genesis 22, we find a story curiously related to Luke’s story, one that should be remembered as ‘the test of Abraham.’ For Isaac was not actually sacrificed, even though the story centers on Abraham’s willingness to consider it. Genesis says it occurred at Moriah, and tells us that afterwards the place was called “the mount of the Lord.” An Old Testament text identifies the place with Jerusalem, and specifically, with the Temple Mount. In other words, Mary and Joseph take Jesus to the place where God directed Abraham to bring Isaac, the place where God himself provided a ram for sacrifice, instead of a child. And following holy tradition, Mary and Joseph provide a sacrificial offering of thanksgiving for their son in the same location where God himself would later provide another offering for sacrifice. For in Jerusalem, the Son of God, who is the Lamb of God, offered himself as an atonement sacrifice on behalf of the world.

We are not alone in finding the story about Abraham and Isaac, and aspects of ancient cultic practice, unsettling. In Jeremiah, God himself criticizes the “citizens of Judah and the inhabitants of Jerusalem [who]… offer up their sons and daughters to [the god] Molech.” God says, “I did not command them, nor did it enter my mind that they should do this abomination.” Consistent with this, the best way to read the Abraham story is in the context of ancient attitudes and practices. For it was not surprising that a local god should receive the first fruits from the field or flock, or even a firstborn child. The surprising thing in the Genesis story was not that God should propose the sacrifice of Isaac, but that God should intervene to prevent it!

For Abraham, God’s request was like what most gods asked for: ‘give me the first portion!’ But then, God showed Abraham something new: that his faith, trust, and obedience were more important than actually offering his first son. The holy law given to the Israelites showed the same thing. Just like the gods of other peoples, Israel’s God asked for the first portion. But following the pattern God showed Abraham, the Lord did not literally ask for the first child. Instead, He asked for a substitute.

Here is the logic: Since through Creation all things are God’s, God can ask for everything in return. Yet, God asks for only a part – the first part. Asking for the first part is like asking for a symbolic gift: it acknowledges that the whole flock and the whole field is God’s. But as a symbol of the larger part that we get to keep, we offer the smaller part as a token gift to God, from whom all things come. That’s what the offering of the ram was for. It was a sign of God’s kindness that he would ask for a ram instead of a child, and later let poor folks offer doves instead of a ram.

Following this tradition, Mary and Joseph come to the Temple to make their own offering. As is true of all children, their first-born child belongs to God. As a sign of this spiritual truth, they offer to God a substitute for the baby Jesus.

Here we see the mystical connection between the Presentation of Jesus in the Temple, and the meaning of sacrifice in ancient culture. It also helps us see the mystical connection of Jesus’ Presentation at the Temple with what sacrifice means for us and for our future. The first crop, the first lamb, is valued because it symbolizes all that will follow. When God asks us for a tithe, his message is not: “Here, give me a tenth, and I don’t care what you do with the rest!” No! Instead, God’s message is this: “Bring me the first tenth, as a symbol of the nine tenths that also belong to me, but which I give to you. And please use what is left in a way that is consistent with your gift of the first tenth!”

A contemporary interpretation of the Presentation of our Lord at the Temple, depicting Simeon and Anna, by Texas artist, Jim Janknegt

Note: see Luke 2:22-28 to find the Gospel account of Mary and Joseph presenting Jesus in the Temple on the 40th day after his birth. Luke gives particular attention to the appearance of the aged man, Simeon, and of the prophetess, Anna, who play significant roles in the story.

Learning from Mary’s Attentive Openness

Perhaps people living at the time of our Lord’s first coming were in some important ways like us. They may have been just as prone to orienting their security and sense of wellbeing around material concerns, while being generally indifferent to the spiritual life. Yet, in this season of Advent when many sing “O come, O come Emmanuel,” it is easy to imagine the people of Roman-occupied Palestine crying out with longing for the God of Israel to draw near in power. Even so, God chose an out of the way place in which to appear among us, incarnate in human form. Paradoxically, for this and other reasons, the arrival of the Holy One was largely overlooked. At least until his person and message provoked enough reactivity to cause the authorities to have to deal with him. Otherwise, the periodic waves of public attention that he received were most often inspired by the miraculous works of mercy attributed to him. While he encountered significant examples of deference to the revealed Law among his contemporaries, lived-adherence to God’s hope-shaping promises appeared to be rare.

This is why the Lectionary features a particular aspect of the Christian Gospel story at this time of the year. It does this by presenting some notable counter-examples to what may have been – in the first century – a widespread indifference to or loss of confidence in God’s promises. We learn about Zechariah, the father of the ‘forerunner,’ John the Baptizer, and about Elizabeth, John’s mother, who was a cousin of Mary and another woman that would bear a promised child. These three stand out for having been open in heart and mind to the heavenly glory that God was about to reveal in the midst of the lives of his wayward children.

In particular we remember the spirit of attentiveness that we find displayed in a third aspect of Mary’s response to God’s call through the Angel Gabriel. God’s call often challenges us to live in a different way; or to try and be a different person, especially in our relationships with our family, our friends, and those with whom we work. Receiving this call, we can react at first in fear at what this call will mean in practice. We can also respond with uncertainty, wondering about our worthiness or suitability for what God may have in mind for us. We have reflected on these themes in the last two web posts on this site.

But we can also see that —in faith— we are able to go into the heart of our fear, and find God’s power. Receiving God’s grace, we may move beyond relying on our own strength, and resist depending upon our estimate of our own abilities and worthiness for what God may have in mind. And we can choose to respond to God’s gracious invitation to participate in the Spirit’s redeeming work, just as Mary did, by saying, “Yes!” As John Lennon so simply captured the spirit of it, in the words of his famous song, “Let it be!” As Mary said to God through the Angel, “Behold the handmaid of the Lord; let it be unto me according to thy Word.”

This is the spirit of Mary’s response to the message of the angel as portrayed in the third image I am sharing with you this Advent ~ Trygve Skogrand’s photo-collage, pictured above. The artist has skillfully placed a traditional painted figure onto a contemporary scene, juxtaposing an image of something old within a contemporary setting. We see a simplicity and spirit of humility in Mary’s posture, as she kneels in her plain gown. In the plain ‘bed-sit’ room in which she prays, we notice her uplifted eyes. They are now focused on the divine source of the message she is receiving.

Attentiveness is key to meaningful perception, just as we find in the Gospel reading for the third Sunday in Advent. John the Baptizer sends his disciples to Jesus with what should be our most persistent question ~ “Are you the One?” ‘Are you the One for whom we are looking, and whom we are awaiting?’ Notice Jesus’ response: “Go and tell John what you hear and see…” For they only hear and see if they are attentive. This is one reason why the Church sets aside this season of Advent ~ to encourage our attentiveness, so that we can hear and see, and then accept God’s Word to and for us.

“Let it be as God would have it.” Let things be as God wills. Let God be God! Perhaps nothing will be so hard in our lives, as to say those words in faith and in humility. Our pride objects. Our desire to be at the center of reality intrudes. But to say, “Let it be…,” in faith and in humility, is to return to the grace of the Garden of Creation. And it is also to begin to live forward into the fullness of the Kingdom, manifest in the New Jerusalem, as God will have things be.

The image above is a detail of Trygve Skogrand’s photo-collage, Bedsit Annunciation (one of my favorite artistic renderings of the Annunciation). This post is based on my homily for the Third Sunday of Advent, December 15, 2019, which can be accessed by clicking here.

… always and everywhere …

(An earlier than usual post — for your Thanksgiving Week!)

A lively celebration of the Eucharist, or The Great Thanksgiving, at St. Gregory of Nyssa Episcopal Church, San Francisco

“It is right, and a good and joyful thing, always and everywhere to give thanks to you, Father Almighty, Creator of heaven and earth.” So begins the body of one of the Eucharistic Prayers in The Book of Common Prayer, as used in Episcopal Churches for the celebration of Holy Communion. “Always and everywhere” – these words regarding giving thanks remind us of the characteristic posture of the Church, and of all of its members, whether at worship in their parishes or at work or play in the world around them.

When Baptized Christians gather for a celebration of the Lord’s Supper, they remember that “the Lord Jesus on the night when he was betrayed took bread, and when he had given thanks (eucharistesas / εὐχαριστήσας), he broke it, and said, ‘This is my body which is for you. Do this in remembrance of me’ (1 Corinthians 11:23-24).” What we as Christians do in a formal way, when gathered for the Eucharist, enacts our normative way of shaping our whole lives. Which is always and everywhere to offer thanks to God for mercy and grace, and for God’s love poured into our hearts by the Holy Spirit. For we seek to live as we pray: Offering thanks to the Father, through the Son, in the power of the Holy Spirit.

“Give thanks in all circumstances; for this is the will of God in Christ Jesus for you.” Paul shares this counsel in his first letter to the Thessalonians (5:18). These words are sometimes mis-remembered as saying, “for all circumstances.” The difference between the two prepositions, in and for, is significant. In our daily rounds, it is very difficult for most of us to be thankful for adverse circumstances and experiences, and we find it hard to reconcile their occurrence with the oversight of a loving God.

Yet Paul believed in the doctrine that we call Providence. He firmly believed that the evil conditions and events that we experience in this life are not in themselves acts of God, imposed upon us by the divine will. Instead, they are things that are allowed to occur by a God who loves us and who intends our good. This is clearly a mystery to us, on this side of the veil separating us from the eternal.*

Another Eucharist at St Gregory of Nyssa

As we well know, the society in which we live in the United States sets aside one day of the year as a public holiday that is called Thanksgiving Day. Its history lies in a presidential proclamation by Abraham Lincoln. Yet, regardless of the circumstances of its origin, the day is widely celebrated by many who are unfamiliar with its history, and who may identify with traditions, practices, and holidays passed on from other cultures. This is only proper, as giving thanks is a universally human act. The people and circumstances, and the particular reasons for it, may all differ. Yet, the spirit of the act is the same.

I have heard it explained, that the sanctuary candle we see in the sanctuary of some churches is to remind us that God is present. The implication of this explanation might be misconstrued in such a way as to suggest that God’s presence elsewhere might not be as assured. Yet, the explanation can also be understood positively, as saying something like this: “This candle is here to assure us of God’s presence. We keep a candle here lit perpetually to remind us that God is always and everywhere present, even in the darkness or when we are alone elsewhere.”

Celebrating Thanksgiving Day can bring with it a similarly positive understanding. We give thanks formally, as a nation of many peoples, on one day of the civil year as reminder that giving thanks should be natural for us every day of the year. And the thanks we should offer are for the good things we enjoy with those whom we know and love, but also for things, people, and even institutions, about which we may be indifferent or even disapproving.

Gathering for a shared meal in the context of a spirit of thanks

In this spirit, I would like to share a prayer found in The Book of Common Prayer, that is principally used in the closing portion of the rites for Morning and Evening Prayer. It is therefore not specifically designated for use in observance of our national celebration of Thanksgiving Day, though it could be. This is a prayer intended for use everyday, and is a fine one for us to use at our celebrations this week:

Almighty God, Father of all mercies,
we your unworthy servants give you humble thanks
for all your goodness and loving-kindness
to us and to all whom you have made.
We bless you for our creation, preservation,
and all the blessings of this life;
but above all for your immeasurable love
in the redemption of the world by our Lord Jesus Christ;
for the means of grace, and for the hope of glory.
And, we pray, give us such an awareness of your mercies,
that with truly thankful hearts we may show forth your praise, not only with our lips, but in our lives,
by giving up our selves to your service,
and by walking before you
in holiness and righteousness all our days;
through Jesus Christ our Lord,
to whom, with you and the Holy Spirit,
be honor and glory throughout all ages. Amen.

*A note about the distinction offered above, regarding what God allows: Readers may wish to consider the way that Aristotle, and others since, have distinguished various dimensions of the idea of ‘cause,’ or causation (four dimensions have been articulated in the Western tradition). “Efficient cause” is the familiar form of the word cause, as in causing a row of dominos to cascade forward. “Final cause” can be conceptually helpful, especially as we think about God drawing persons and events toward their fulfillment in Christ. In this sense of the word cause, instead of our thinking of God as pushing events forward, some of them good and some perhaps bad in our eyes, God summons, and pulls toward the future, those people and things that may be made whole in Christ (ie, those that are open and willing recipients of his Grace), to their true end.

The Beauty of ‘Something Further’

An interior dome, Etchmiadzin Cathedral, Armenia

{This past week I had the honor of offering a homily at the funeral of my longtime friend, Tom, a neurosurgeon and person of faith. What follows is a portion of my homily.}

People in our culture who have been trained in the sciences and who work in medicine can face a particular challenge. They can find it hard to grapple with the intangible aspects of the spiritual life. Walker Percy is a great example of someone who overcame this apparent divide. For Percy, like Tom, was very smart and educated in the medical arts. Like Tom, Percy came to see something very important: we rely upon science to explain too much of the world. And, if we are honest and sensitive in our inquiry, we come to see how – through science alone – we cannot understand ourselves.

Tom, with his advanced work in surgery and in neurology, knew far more about our brains than most of us will ever know. And yet, he also was quite aware of the limits to such knowledge. He was sensitive to how ‘our minds,’ though inextricably connected to our brains, always somehow transcend what we know about brain function. And therefore, despite our continuing advances in understanding neurophysiology, there remains this ineffable, something further, about what it means to human, this thing that non-specialists like the rest of us, as well as priests and pastors, call our souls.

Walker Percy might have put it in terms like this: We can learn the names and composition of the myriad of chemicals that are a part of human brain function. And therefore, as conscious subjects, we can approach our brains as objects of study. Yet, paradoxically, we, as the subjects of our studies, can never really know ourselves as the objects of our studies. There will always be something beyond, something further and equally real about ourselves, even if not fully measurable. And this ‘something further,’ believers call our souls. For even the most brilliant neurologist, even the most perceptive psychologist, can never really know him or herself, just as I – at least in this life, on this side of the veil – can never really know myself. Only God can. And only God does.

Physicians can map how our physical bodies eventually fail us when we get older, and cease to function ably as before. But what our physicians and scientists cannot map – at least not yet – is how our consciousness can survive this breakdown in our physiological function. Yet, somehow we continue in self-awareness, and in our awareness of others, especially that great Other One. And we will probably never be able to map, in terms we understand, how we come to have conscious contact with our Creator and Redeemer. For our conscious contact with God happens through God’s loving embrace of us. This is the embrace into which we have all been received – even if we are not conscious of it, and especially when we have not chosen to refuse it.

Tom consciously chose to recognize and accept this embrace. And he put his trust in it, even if – as an accomplished scientist – he could not explain it. For that, we honor him and his memory, as we continue to have fellowship with him in the Communion of Saints. And as we share with him in our celebration of the Eucharist. For just as our Lord Jesus continues to be present with us, and in us, so all the saints – both Tom and ourselves – and all the faithful departed stand before the throne of the Lamb. In Christ, we are joined together, so that we, too, might also be lost in wonder, thanks, and praise.

Tom knew and believed all this. And that is why we are here today. We can honor Tom for his contributions to the sciences and to the practice of medicine. Here, in this church and in this community of faith, we can join others in honoring what God has done in Tom’s life and work. And more especially, we are here today to honor what God is still doing in Tom’s continuing life. For Tom’s life and consciousness continue, even now, in and through God’s loving Grace and favor. His death is the veil that only appears to separate him from us. It disguises the way he is still really connected with us through his Baptism and ours, into Christ’s death and Resurrection.

Most enduring is this truth. And it is a truth for all of us to embrace: we have continuing fellowship with Tom, through Christ, in the power of the Holy Spirit. Thanks be to God!

A Church by Errol Barron in Gulfport

St Peter’s by the Sea, Gulfport, MS, designed by Errol Barron

Errol Barron’s work as an artist may be familiar to readers of this website based on some of his evocative New Orleans water color paintings previously featured here. His paintings of that city as well as of Tulane University, where he has taught for many years, provide strong indications that he is more than a skilled painter and draftsman, but also a trained architect. He has taught generations of architectural students at Tulane, and he has practiced his profession to great effect not only in this region but also overseas, with some houses of his located in Greece. Given Barron’s evident sensitivity to historical architecture and design features characteristic of this region, I was surprised to learn about a notable but unexpected feature of his resume. He worked for seven years with Paul Rudolph, architect of the well-known and oft-criticized Boston Government Services Center and a partial inspiration for the movie, The Brutalist.

I was recently delighted to discover the Episcopal church in Gulfport, Mississippi, St. Peter’s by the Sea, and that Errol Barron was its architect. It is a gem of a church, and a very successful design that incorporates traditional ecclesiastical elements associated with European Gothic churches along with features reflecting contemporary liturgical renewal. I have heard people refer to this style of church building as Carpenter Gothic, and as Southern Gothic, and the labels seem to fit well. The worship space exudes an appreciation for traditional forms while harmoniously blending them with a contemporary focus upon light, color, and the greater participation of worshippers in flowing open spaces.

The main altar with the ornamental rood screen

Visitors to the Washington National Cathedral, and similar churches of Gothic-revival style, may recognize the particular heritage that stands behind the floor plan of St Peter by the Sea. At the National Cathedral, and in its medieval forebears (such as London’s Westminster Abbey), an arched stone ‘rood screen’ separates the chancel and choir (beyond the screen) from the nave where the congregation is seated. When, in the 1960’s, the liturgical renewal movement began to influence changes in the worship arrangements of these buildings, a new main altar was often then placed in the nave, on the congregation’s side of the rood screen. Smaller gatherings for weekday services could still occur in the choir side of that screen, while Sunday gatherings for the principal Eucharist would be celebrated in the nave, with the clergy, altar, and liturgical action proximate and visible to the congregation.

A view of the ceiling and woodwork above the choir

Though St Peter’s by the Sea is a comparatively recent building, its design reflects something of the historical sequence described above. Instead of an imposing stone rood screen, shielding the chancel and choir spaces beyond, Barron has designed an ornamental arched screen of light-colored wood that suggests rather than imposes separate areas within the overall space. This allows the evocative blue canopy of the ceiling over the chancel to draw one’s eyes forward, toward the visible clear windows at the liturgical ‘east end’ of that space behind the chapel altar, facing the seashore.

Further, the notably narrow, even sharp-looking, wooden ‘spires’ protruding above where the choir chairs are placed enhance the upward sense of lift in the nave, complemented by the radiant cream and white color scheme above where the congregation sits. Light pours in through clear windows above, while delicately fashioned and dangling wrought iron fixtures provide supplemental illumination for evening services and in poor weather.

A view toward the nave from the choir, through the rood screen

On the Sunday of my recent visit, I was told that the congregation numbered about 145, and I estimate that the nave would comfortably seat about 200 people, though it could probably accommodate more. With the Gothic-inspired longitudinal floorplan, evident when one approaches the exterior of the building, a visitor might expect a rather narrow and linear worship space. Such an initial impression of the likely effect of the interior spatial arrangement is overcome by a number of subtle but effective design choices made by the architect and those who worked with him.

Accompanying the verticality of the large open area above the center of the nave are the seating areas adjoining the side aisles, taking the places of side chapels found in many medieval Gothic churches. The relatively low height of the box pews enhances the sense of horizontal width created by these adjacent seating areas, which provide relatively unobstructed views of the altar and lecterns. I also found the acoustics within the worship space to be well-suited for music as well as for public reading and speaking.

I am drawn to the ethos of historical churches; I am enthused by many examples of modern architecture; and I appreciate the fruits of the liturgical renewal movement. In my experience, a successful blend of these three things is not always found in contemporary buildings designed for worship and intended for the enhancement of congregational life. In his design for St. Peter’s by the Sea, in Gulfport, Mississippi, and in his supervision of its restoration after Hurricane Katrina, Errol Barron has achieved just such of a desirable synthesis.

Toward Beauty

In Art, Faith and Life ~ STEPHEN HOLMGREN