Atonement

Through the Waters of Death Into New Life in Christ
Peter Koenig, Christ as Second Moses, The Rainbow Resurrection

Side Panels that accompany Christ as Second Moses

 

A perennial theme in the New Testament and in Christian reflection concerns how – in Christ – we are called to live through death into new life. When we die to our worldly attachments and their hold upon us, we open ourselves to a greater life that extends beyond this present one. As the Christ our Passover canticle from The Book of Common Prayer puts it,

Christ being raised from the dead will never die again; *
death no longer has dominion over him.
The death that he died, he died to sin, once for all; *
but the life he lives, he lives to God.
So also consider yourselves dead to sin, *
and alive to God in Jesus Christ our Lord.

Peter Koenig’s painting with its side panels, centered on themes within this Easter season, expresses this motif in a particularly evocative way. Just as Moses led the people of Israel through the waters of death into a new covenant life with God, so Christ leads us through and to the same. This happens for us liturgically in the rite of Baptism. As Koenig explores this idea, he not only depicts Christ parting the waters but also shows the water emerging from the Lord’s side. This reflects John’s account of how blood and water came forth from Jesus’ side on the cross, but also suggests how water from the rock in the wilderness brought life to God’s people during Israel’s wandering toward the Promised Land. The “Thanksgiving over the Water,” in The Prayer Book Baptismal Rite articulates these ideas in a compact way:

“We thank you, Almighty God, for the gift of water. Over it the Holy Spirit moved in the beginning of creation. Through it you led the children of Israel out of their bondage in Egypt into the land of promise. In it your Son Jesus received the baptism of John and was anointed by the Holy Spirit as the Messiah, the Christ, to lead us, through his death and resurrection, from the bondage of sin into everlasting life.

We thank you, Father, for the water of Baptism. In it we are buried with Christ in his death. By it we share in his resurrection. Through it we are reborn by the Holy Spirit.”

Notice how, in the painting at the top, Peter Koenig portrays the crucified and risen Christ before what appears to be a darkened tomb filled with people. As we hear Isaiah quoted in Advent, “The people who walked in darkness have seen a great light; those who dwelt in a land of deep darkness, on them has light shone.” Christ leads the way, and makes possible our journey from the darkness of death into our new covenant life with God.

The two side paintings that accompany Koenig’s Christ as Second Moses artfully yet powerfully suggest the drama within the Exodus account of Israel’s Red Sea Crossing. The chariots of Pharaoh succumb to the waters of death while Israel is safely delivered on dry ground to their Covenant encounter with God at Sinai. Another canticle from The Prayer Book puts it well:

I will sing to the Lord, for he is lofty and uplifted; *
the horse and its rider has he hurled into the sea.
The Lord is my strength and my refuge; *
the Lord has become my Savior.
This is my God and I will praise him, *
the God of my people and I will exalt him.
The Lord is a mighty warrior; *
Yahweh is his Name.
The chariots of Pharaoh and his army has he hurled into the sea; *
the finest of those who bear armor have been drowned in the Red Sea.
The fathomless deep has overwhelmed them; *
they sank into the depths like a stone.
Your right hand, O Lord, is glorious in might; *
your right hand, O Lord, has overthrown the enemy.

Most of us have the blessing of not facing the equivalent of Pharaoh’s army. But we do have an enemy. And our enemy is the darkness and death of loving self and this world, even to the point of contempt for God, when God bids us to love him, even to the point of contempt for self and this world. When we live as we pray, to the Father, through the Son, and in the Spirit, we experience new life.

The above painting is Peter Koenig’s, Christ as the Second Moses, also known as The Rainbow Resurrection (used by permission of the artist). The final paragraph contains a paraphrase of St. Augustine concerning how we love God, from The City of God (Book 14, chapter 28). / I am once again pleased to share Peter Koenig’s painting and the material in this post as we prepare for Easter Sunday, and the Baptisms that may be a part of the liturgy in many churches.

Good Friday 2026
Stanley Spencer, The Cruicifixion (1958)

 

(This week, I am offering a Good Friday homily that I have shared before.)

In the Passion Reading for this day, we are reminded of the dark spectacle of what human cruelty can accomplish. With Jesus, it was a vain attempt to obliterate the most beautiful human being who ever lived. Thank God, we have no photographs of the horrifying things that were done to him, but only paintings. But consider this paradox: the beauty of art has provided a way for us to a reflect on one of the darkest examples of human violence.

Paintings of our Lord’s Passion seem divided into two broad groups. There are those concerned to portray the grim reality of Roman execution. And, there are those inclined to explore and express the inner redemptive significance of what happened.

At the center of any portrayal of the Crucifixion of Jesus is an inescapable fact ~ that it was an act of political and judicial violence, where the forces of earthly injustice pretended to act in the name of human truth. The corollary to this is how Jesus’ subsequent Resurrection restored heavenly justice in the name of divine truth. Paintings of Jesus’ Crucifixion, and those of his Resurrection, usually give attention to his wounded body, even though his wounds then appear transformed on the Third Day. After all, this is one way the disciples recognize him after his death. How the death-marked body of Jesus looked after his resurrection, also provides a preview of his appearance at the end of time.

Charles Wesley’s Advent hymn, “Lo! he comes, with clouds descending” offers words that also apply to Good Friday.

“Every eye shall now behold him,
robed in dreadful majesty;
those who set at nought and sold him,
pierced and nailed him to the tree,
deeply wailing, deeply wailing…
shall the true Messiah see.

Those dear tokens of his passion
still his dazzling body bears,
cause of endless exultation
to his ransomed worshippers;
with what rapture, with what rapture
gaze we on those glorious scars!”

It is natural to imagine how the people directly responsible for Jesus’ death, from Judas and the high priests, to Herod and Pilate, might be overcome with grief at the triumphal Second Coming of the Lord. Those who pierced him might feel themselves pierced by awakened guilt and remorse. Indeed, for every one of us, seeing the fruit of our mischief and misdeeds can provoke us to tears.

But I think Wesley was getting at more than repentance and contrition. Surely, seeing the full beauty of the glory of our Lord, with his wounds transfigured, will also summon our tears — but with tears of joy. Wesley, prayerfully and with sensitivity, has given voice to the profound power of beauty. Especially when it is discerned in the most unexpected of places – in the face and body of the Crucified One. Love… the most profound love beyond human imagining, is manifest in the face and gestures of the crucified messiah. For he reaches out his hands even to forgive those who have tortured and sought to kill him. This is the most beautiful thing we could ever see.

As we pray in a Morning Prayer collect, “Lord Jesus Christ, you stretched out your arms of love on the hard wood of the cross that everyone might come within the reach of your saving embrace…”

Perceiving all this helps us make sense of the paradox at the heart of Jesus’ Crucifixion. For, in it, we perceive the dramatic juxtaposition of serenity with antagonism, of beauty with its dark opposite, and of moral good with apparent evil. We can see this in two paintings I have included with your worship bulletin: Hieronymus Bosch’ painting of Christ Carrying the Cross, and Stanley Spencer’s 1958 painting, The Crucifixion. Looking at them, I encourage you to join me in asking an awkward question: with which person or persons in these paintings do we identify?

Hieronymus Bosch, Christ Carrying the Cross

Though some 500 years apart, both painters portray the tranquil appearance of the peaceful heart of Jesus, even in the face of vicious hostility. And like Bosch, Spencer helps us see what the beautiful One in our midst sometimes provokes. Especially when the shining light of his presence exposes the dark shadows within and around us. For his light sometimes prompts fierce anger and envy, as well as a callous indifference to cruelty and suffering. Things of which we are all capable. And we are likely to have much invested in denying this ugly truth. Strangely, when confronted face to face with the divine opposite of our perversity, we will either fight the light that we encounter, or surrender to it. The Passion Narratives give us examples of those who resisted and even fought against the Light of the World. For we sometimes fight against the disturbing possibility that Jesus will conquer our pervasive ungodliness. And so, consciously or not, we try to do away with his godliness.

An encounter with true beauty can be unsettling and troubling, especially if we have already settled for so much less. We may often hope for the triumph of good over evil, that beauty will overcome darkness, and serenity will displace antagonism. But we cannot find it within ourselves to do more than hope. We cannot achieve the redemptive resolution for which we haltingly reach out with our feeble hands and hearts.

It is not an accident that the figure of Jesus in Stanley Spencer’s painting visually recedes in the foreground, while those who oppose and crucify him grab our interest and attention. Spencer, after mastering traditional realism, adopted what he called a neo-primitive style. He was a gifted colorist, and highly proficient with composition. And so, as Spencer has rendered him, Jesus’ skin tone and color roughly match that of the wood of the cross, as well as the clothing of the man with the hammer swung over his head. Spencer’s rendering of the Lord’s skin tone and color also match much of the sky and the ground below… including the tunic of Mary Magdalene, prostrate at the foot of the cross. This forms a compelling visual symbol. For Jesus totally identified with us, in his Incarnation, and in his Crucifixion. His crucifixion symbolizes his complete joining with us, and with our world of wrenching hurts and suffering.

In fact —as we see in Spencer’s composition and coloring— it is precisely because Jesus blended in so well with everyday life, that those who opposed him could literally gain the upper hand, ultimately with hammers and nails. (For he did not call down an army of angels to help him, as he could have.) But this is the marvel of the incarnation of our God in Jesus. The fullness of divinity thoroughly became joined with our fallen humanity. As the Gospels attest, this joining was so complete that many did not notice or have regard for his divinity. When we do notice his total identification with us, when we come face to face with the truth it represents, we have either one or the other of two reactions. We throw ourselves down in humility before him. Or, we seek to throw him down, to humble him before us.

These paradoxes are brought to their greatest prominence when, as he predicted, he is lifted up. His lifting up is his glorification, and the glorification of God within him. Yet his lifting up is on a cross, and in the agony of a humiliating public execution. Here we see the ‘strange beauty’ of our Lord — a beauty for which churches and museums better prepare us than do our malls and most TV shows.

So, let us “behold the fair beauty of the Lord, and … seek him in his temple.” We will find him! We will find him in the “temple” that he promised to raise in three days.

Attached here is a link to a handout that I have used in connection with this homily.

Good Friday Handout_Bosch and Spencer_Legal Horizontal_PDFDownload

Additional note: Those interested in further reflection on some of the Holy Week themes raised here might wish to read my prior post, “The Beauty of What God Can Do, and Is Doing.”

Beauty and Revelation
James Tissot, God Creating

James Tissot’s painting depicting God’s creative work is likely to strike us as childishly simplistic in its portrayal of divinity. For it quite obviously displays what we consider to be the flaw of anthropomorphism, as if the artist was naive in his approach to faith. But what if our hesitation about anthropomorphism, aside from reflecting a proper theological concern, could also become an obstacle for us? What if the mysterious implausibility of God entering into and sharing the limitations of human being keeps us from appreciating how fallen human beings can – by the same graceful Providence – share in the beautiful fullness of God?

I believe that James Tissot came to realize this: Beauty is a form of divine revelation. And, that our joy when beholding beauty is our experience of God’s love manifest to and within us.

These themes are intrinsic to our participation in Holy Week. As we can learn from observing the traditional pattern for the liturgy on Good Friday, our focus in Holy Week is upon what God has done and is doing for us. The sign of this on Good Friday is our abstention from celebrating the Eucharist, and instead we receive communion from the sacrament reserved following the Maundy Thursday liturgy on the prior evening.

For God creates, God discloses, and God provides. Through all, God reveals self. God’s revelation involves God’s self-disclosing gifts. Within the divine attributes are those of initiative and efficacy, constitutive aspects of creativity. And so, when God creates human beings in God’s own image and likeness, God not only exercises creativity but also self-revelation.

Among the ways that we resemble our Maker is one that paradoxically can become a source of frustration for us. Positively, our Creator has given us intelligence and a God-reflecting capacity for creativity, initiative, and efficacy. In addition, God has given us an inclination toward experiencing freedom and an accompanying desire for its fulfillment. Employing these gifts can lead to an ironic and negative result: They allow us the freedom wrongly to imagine that God is actually a dispensable concept, and a coping mechanism which is just a reflection of our psychological needs and a projection of ourselves.

Reflecting on these things can lead us to recognize the heart of divine humility, that it should please God to create us in God’s own image and likeness. God has given us the capacity to imagine that we are self-made, and then to function in a parody of the divine role in Creation. This happens when we fool ourselves into thinking that we are the center of the universe. Expressions of this parody include our ideas that the universe is infinite, as are our own endless possibilities within it. Yet – and this is critical – only God is infinite, and we – like the universe – are finite beings, endowed not only with divine-reflecting capacities, but also with purpose, meaning, and identities that are not of our own making.

James Tissot, What Our Lord Saw From the Cross, a remarkable inversion of how we so often picture the scene

As we approach Holy Week, we have the opportunity once again to be those who watch, who listen, and reflect. As we do, we remind ourselves that we are bit players in the Divine Drama, whose Author has generously written for us a script that has a curious feature, ample provision for ‘ad-libbing.’ In fact, divine generosity is so abounding that we are allowed to create sub-plots within the overall story. To the point that we forget to reference the overall plot lines shaping the whole, as well as the Author’s purposes in creating them.

One thing that God achieved in the events of the Exodus was to remind both Pharaoh, as well as Moses and the people of Israel, that God was and is sovereign over history as well as over geography, the realms of both time and place. Forgetting this ancient truth, we neglect the comfort we can gain from the doctrine of Providence, that God provides for the needs of the world as well as our own, which God knows more intimately and with greater perception than we do. We should wonder that we are left free to imagine otherwise, a fantasy in which some of us at least occasionally engage.

But the humility we are invited to recover in this latter part of Lent, and most of all in Holy Week, involves opening ourselves to a very real possibility. That God’s way of overcoming our refusal and failure to live into the potential we have been given involves the beauty of a strange and unexpected gift. Christmas reminded us of part of this gift, that God became human so that humans could become God-like, and in the best possible way. Holy Week allows us to rediscover the gift that God chose to identify so much with us that, in the ‘Son of Man,’ the Incarnate divine-human being, God passed through human death into the fullness of human life so that we might be enabled by grace to do the same.

“… She Is Still Out There…”
James Tissot, The Resucitation of Lazarus

(Note: At the time of publication, what has happened to Nancy, the mother of Samantha Guthrie, is still unclear.)

The beginning of Lent offers us a stark reminder of our mortality, and of our ’nothingness’ apart from God’s Grace. This may lead some of us to be mindful of the death that we fear, or the deaths of loved ones whom we mourn. Our observance of ‘a holy Lent’ provides a season when we can grow in our assurance of the New Life we are given in and through Christ. This happens through our Baptism into his death and Resurrection. The Easter season that lies ahead has much to say about this, which is one reason we might devote ourselves to particular disciplines of preparation during these Forty Days.

I want to approach this theme in light of the recent widespread publicity given to the abduction of Nancy, the mother of Samantha Guthrie. This tragedy has focused a great deal of attention on some words that she and her siblings have used with reference to their mother: “We believe she is still out there.” This cautious statement has been oft-repeated by law officers and the news media.

We hear these words in the context of learning that Samantha Guthrie has been a member of St. Philip in the Hills Episcopal Church, in Tucson, where a prayer vigil was offered on behalf of her mother. Samantha has also written a book in which she expresses her Christian faith, a fact also evident in some of her recent public communications.

For Christians, our loved ones are always ‘still out there.’ I want to offer some reflection on this phrasing, and explore what the Guthries’ quoted words may mean in terms of Christian belief.

Despite a common notion we sometimes encounter in popular culture, people who die do not become ‘angels.’ Nevertheless, traditional Christian faith teaches us that angels are like us in reflecting a divine attribute, personhood. For we believe in One God in Three Persons (the Father, the Son, and the Holy Spirit). This is the mystery of the holy Trinitarian nature of God, in whose image and likeness all persons have been created. From our knowledge of God, and our experience of ourselves, we know that an integral feature of personhood is being in relationship with other persons.

Yet, unlike angels, we are embodied, and remain embodied regardless of our transformation through the resurrection of the dead at the end of our mortal, physical, lives.

Since the time of the New Testament, Christians have spoken about this transformation into a new form of embodiment by employing various metaphors. In view of this, at our demise, we do not become like a drop of water returning to the sea, or move from a personal identity based on our differentiation from others into an unconscious and undifferentiated state of life. As if – at death – we will somehow be dissolved into a greater realm of ‘Spirit.’

By our Baptism into the death and Resurrection of Jesus, we become named members of His Body, the one Body of Christ. This is the Church in its essence, which comprises the communion of all the Baptized, whether they are ‘on this side of the veil’ or have gone before us to the next life. Thus, though we (as Anglicans) do not pray to saints, we pray with them as the Holy Spirit enables this activity within us. Those presently alive in this life and those who have ‘gone before us’ – are both ‘here’ and ‘there,’ in a shared living stream of ongoing prayer and fellowship.

An oft-neglected article of traditional Christian faith is that of the Ascension of our Lord, directly tied to his Resurrection from the dead. In our faith, Christ did not ‘go up’ alone, but carried with him our human nature. This enabled our own transition – with him – into the next life. When we die, by Grace we move into a greater experience of nearness with our Lord, who is already with us, and in us. Therefore, we do not cease ‘to be’ at death. And we are taught not to fear physical death in view of our belief in the significance of our Baptism into Christ’s death and Resurrection. By virtue of this Ascension-fortified faith, we have assurance about our continuing fellowship with those who have died “in the Lord.”

In view of these fundamental aspects of Christian believing, we can recognize how Nancy Guthrie continues to be among us, and always will be, regardless of what may have happened to her in the recent tragic circumstances now so familiar to us. For as Jesus is quoted as saying, in John 11:25-26, “I am the resurrection and the life. Those who believe in me, even though they die, will live, and everyone who lives and believes in me will never die.”

Note: I present these reflections without implying that my words here have negative implications regarding those who do not share our faith nor our baptismal identity. As for people whose faith (or lack of it) is known to God alone, we need to remind ourselves that, in God’s Providential wisdom, the divine will for those who do not identify as Christian remains a mystery to us.

The Beautiful Feast of the Presentation
Ambrogio Lorenzetti (1319-1348), Presentation at the Temple

I can’t imagine ever forgetting the experience of holding our first child right after his birth. I’m sure no parent ever does. It was in a hospital in Oxford, England, where midwives assisted Martha. After the birth, they went off to make us a pot of tea, leaving us to enjoy our new baby. What I cannot account for is the mysterious sense of deference I felt toward the Creator in that moment. Not only of profound thanks, of course, but an urge to offer something to God. I believe this feeling is based upon an ancient impulse, latent within our souls. This impulse plays a significant role in the Bible, and particularly in our Gospel for this feast day. All this was made poignant for me when our son, Per, was baptized on February 2, the Presentation of our Lord at the Temple, a few months after his birth.

A way into the mystery of the beautiful Feast of the Presentation is to notice how, soon after Jesus’ birth, Mary and Joseph bring him to the Temple in Jerusalem. They present him to the Lord, offering a sacrifice according to the Law. Lorenzetti’s painting of this moment captures the ancient impulse to express thanks for God’s gifts, an impulse that still resonates within us in modern times.

The fuller significance of where the Presentation occurred is less obvious. In Genesis 22, we find a story curiously related to Luke’s story, one that should be remembered as ‘the test of Abraham.’ For Isaac was not actually sacrificed, even though the story centers on Abraham’s willingness to consider it. Genesis says it occurred at Moriah, and tells us that afterwards the place was called “the mount of the Lord.” An Old Testament text identifies the place with Jerusalem, and specifically, with the Temple Mount. In other words, Mary and Joseph take Jesus to the place where God directed Abraham to bring Isaac, the place where God himself provided a ram for sacrifice, instead of a child. And following holy tradition, Mary and Joseph provide a sacrificial offering of thanksgiving for their son in the same location where God himself would later provide another offering for sacrifice. For in Jerusalem, the Son of God, who is the Lamb of God, offered himself as an atonement sacrifice on behalf of the world.

We are not alone in finding the story about Abraham and Isaac, and aspects of ancient cultic practice, unsettling. In Jeremiah, God himself criticizes the “citizens of Judah and the inhabitants of Jerusalem [who]… offer up their sons and daughters to [the god] Molech.” God says, “I did not command them, nor did it enter my mind that they should do this abomination.” Consistent with this, the best way to read the Abraham story is in the context of ancient attitudes and practices. For it was not surprising that a local god should receive the first fruits from the field or flock, or even a firstborn child. The surprising thing in the Genesis story was not that God should propose the sacrifice of Isaac, but that God should intervene to prevent it!

For Abraham, God’s request was like what most gods asked for: ‘give me the first portion!’ But then, God showed Abraham something new: that his faith, trust, and obedience were more important than actually offering his first son. The holy law given to the Israelites showed the same thing. Just like the gods of other peoples, Israel’s God asked for the first portion. But following the pattern God showed Abraham, the Lord did not literally ask for the first child. Instead, He asked for a substitute.

Here is the logic: Since through Creation all things are God’s, God can ask for everything in return. Yet, God asks for only a part – the first part. Asking for the first part is like asking for a symbolic gift: it acknowledges that the whole flock and the whole field is God’s. But as a symbol of the larger part that we get to keep, we offer the smaller part as a token gift to God, from whom all things come. That’s what the offering of the ram was for. It was a sign of God’s kindness that he would ask for a ram instead of a child, and later let poor folks offer doves instead of a ram.

Following this tradition, Mary and Joseph come to the Temple to make their own offering. As is true of all children, their first-born child belongs to God. As a sign of this spiritual truth, they offer to God a substitute for the baby Jesus.

Here we see the mystical connection between the Presentation of Jesus in the Temple, and the meaning of sacrifice in ancient culture. It also helps us see the mystical connection of Jesus’ Presentation at the Temple with what sacrifice means for us and for our future. The first crop, the first lamb, is valued because it symbolizes all that will follow. When God asks us for a tithe, his message is not: “Here, give me a tenth, and I don’t care what you do with the rest!” No! Instead, God’s message is this: “Bring me the first tenth, as a symbol of the nine tenths that also belong to me, but which I give to you. And please use what is left in a way that is consistent with your gift of the first tenth!”

A contemporary interpretation of the Presentation of our Lord at the Temple, depicting Simeon and Anna, by Texas artist, Jim Janknegt

Note: see Luke 2:22-28 to find the Gospel account of Mary and Joseph presenting Jesus in the Temple on the 40th day after his birth. Luke gives particular attention to the appearance of the aged man, Simeon, and of the prophetess, Anna, who play significant roles in the story.

Fearing an Unexpected Holy Invitation

Advent can be a providential season for reflecting on how the Holy Spirit invites us to go to a new place for the sake of God’s Kingdom. There is no question that this can happen at least spiritually, whether we hear the call or not. The real question, when it does happen, is how we will respond to God’s holy invitation.

This is the season when we focus especially on how God’s Kingdom enters the world in a new way. We look back to the earthly kingdom of Israel, and her difficulty fulfilling her spiritual vocation. We also look back to the promised first coming of the Messiah, who was to bring God’s Kingdom into the world with power. During Advent, we also look forward, to the Messiah’s coming again in glory. But here is a crucial fact about the first coming of the Messiah: Without Mary’s acceptance of God’s overture, there would have been no Jesus of Nazareth. In order for God’s great “YES” to us in Jesus to become manifest, Mary had to say “yes” to God.

As Luke tells the story, God’s call to Mary embodies God’s holiness and righteousness. In like manner, our encounter with God’s presence and holy invitation causes everything in us that is less than godly to undergo judgment. The bright light of God’s glory illumines all the dark corners of the world ~ and all the dark corners in our lives. The purity of God shows up all that is less than pure.

Our reaction to all this may involve at least one thing: fear! God’s call comes to us as Good News. And yet, we experience God’s call for us to become new persons, and do new things, as a fearful invitation. For me, it has involved a call to consider moving away from one beloved church and congregation to what I could only hope would be another. For both you and for me, it may be a call to go and speak to someone with whom we have a disagreement, or to reconcile with someone whom we have failed to forgive. When God calls us to new life, by inviting us to do something challenging, our first reaction is often fear. We think of all the things we are afraid might happen: like losing the security of a familiar home and community; or setting aside our own pride and sense of right; and opening ourselves in vulnerability to being hurt by another person.

In the above detail of Simone Martini’s Annunciation, we see what may have been Mary’s first response to the presence of the holy angel. Gabriel comes to her sharing God’s good news about a child she will bear, who will bring salvation for the world. And in Martini’s image of the event, Mary draws back in fear at the message, frightened about what it might mean for her and her life. We all know the end of the story, how it all turned out for good. But in that moment, as may happen for us, God’s call surely had a frightening aspect to it. Because a change to something always means a change from something else, from where we started.

Martini’s painting reminds me of spiritual advice I received years ago ~ spiritual advice that gave me the courage to leave a tenured faculty position at one of our seminaries and return to parish ministry. The prospect of this change, for which I had a sense of call, was frightening. And the good advice I received was this: When you go toward the heart of your fear in faith, God will meet you there with power.

We know that this is what Mary did. For she moved beyond her reaction to the seeming strangeness of the angel’s greeting, not knowing what it would mean for her. She then opened herself to embrace the angel’s message and all that it would entail for her ~ and for the world.

It was my CREDO Institute team leader and colleague, (The Rev. Dr.) Bob Hansel, who offered the wonderful spiritual advice that I share above. I continue to benefit from it. The image at the top is a detail of Simone Martini’s painting, The Annunciation (a painting I have shared before). This post is adapted from one that first appeared here in 2019, and is based on my homily for the first Sunday of Advent, December 1, 2019, which can be accessed by clicking here.

The Beauty of ‘Something Further’
An interior dome, Etchmiadzin Cathedral, Armenia

{This past week I had the honor of offering a homily at the funeral of my longtime friend, Tom, a neurosurgeon and person of faith. What follows is a portion of my homily.}

People in our culture who have been trained in the sciences and who work in medicine can face a particular challenge. They can find it hard to grapple with the intangible aspects of the spiritual life. Walker Percy is a great example of someone who overcame this apparent divide. For Percy, like Tom, was very smart and educated in the medical arts. Like Tom, Percy came to see something very important: we rely upon science to explain too much of the world. And, if we are honest and sensitive in our inquiry, we come to see how – through science alone – we cannot understand ourselves.

Tom, with his advanced work in surgery and in neurology, knew far more about our brains than most of us will ever know. And yet, he also was quite aware of the limits to such knowledge. He was sensitive to how ‘our minds,’ though inextricably connected to our brains, always somehow transcend what we know about brain function. And therefore, despite our continuing advances in understanding neurophysiology, there remains this ineffable, something further, about what it means to human, this thing that non-specialists like the rest of us, as well as priests and pastors, call our souls.

Walker Percy might have put it in terms like this: We can learn the names and composition of the myriad of chemicals that are a part of human brain function. And therefore, as conscious subjects, we can approach our brains as objects of study. Yet, paradoxically, we, as the subjects of our studies, can never really know ourselves as the objects of our studies. There will always be something beyond, something further and equally real about ourselves, even if not fully measurable. And this ‘something further,’ believers call our souls. For even the most brilliant neurologist, even the most perceptive psychologist, can never really know him or herself, just as I – at least in this life, on this side of the veil – can never really know myself. Only God can. And only God does.

Etchmiadzin Cathedral

Physicians can map how our physical bodies eventually fail us when we get older, and cease to function ably as before. But what our physicians and scientists cannot map – at least not yet – is how our consciousness can survive this breakdown in our physiological function. Yet, somehow we continue in self-awareness, and in our awareness of others, especially that great Other One. And we will probably never be able to map, in terms we understand, how we come to have conscious contact with our Creator and Redeemer. For our conscious contact with God happens through God’s loving embrace of us. This is the embrace into which we have all been received – even if we are not conscious of it, and especially when we have not chosen to refuse it.

Tom consciously chose to recognize and accept this embrace. And he put his trust in it, even if – as an accomplished scientist – he could not explain it. For that, we honor him and his memory, as we continue to have fellowship with him in the Communion of Saints. And as we share with him in our celebration of the Eucharist. For just as our Lord Jesus continues to be present with us, and in us, so all the saints – both Tom and ourselves – and all the faithful departed stand before the throne of the Lamb. In Christ, we are joined together, so that we, too, might also be lost in wonder, thanks, and praise.

Tom knew and believed all this. And that is why we are here today. We can honor Tom for his contributions to the sciences and to the practice of medicine. Here, in this church and in this community of faith, we can join others in honoring what God has done in Tom’s life and work. And more especially, we are here today to honor what God is still doing in Tom’s continuing life. For Tom’s life and consciousness continue, even now, in and through God’s loving Grace and favor. His death is the veil that only appears to separate him from us. It disguises the way he is still really connected with us through his Baptism and ours, into Christ’s death and Resurrection.

Chora Church, Istanbul

Most enduring is this truth. And it is a truth for all of us to embrace: we have continuing fellowship with Tom, through Christ, in the power of the Holy Spirit. Thanks be to God!

The Challenge Posed by Eric Gill

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Eric Gill, Christ Crowned

 

To my mind, some of the most beautiful work in the area of graphic art was created by the British artist and craftsman, Eric Gill. The intractable problem posed by Eric Gill is not a legacy of his artistic output, but of his personal life. Largely unknown to those outside his family until about 50 years after his death, Eric Gill – by admission in his own unpublished writings – had engaged in personal behavior of a kind that most people would find not only abhorrent but, increasingly, as also criminal.

This is related to the larger problem posed by the work of artists, musicians, and architects whose work is seen as having been collaborative with tyrannical regimes (eg., the Third Reich, the Soviet Union). How do we view beauty in art that either depicts or is simply associated in some way with sin or with evil? (This is a matter I have previously tried to understand in relation to Picasso’s great painting, Guernica.)

To cite Scripture to the effect that “all have sinned,” may help us begin to locate the terrain upon which we need to address the problems stemming from Eric Gill’s biography, but it is not in any way to excuse his conduct. Though all sin is bad, and equally problematic in the eyes of God, not all sin is equal in its damaging effect upon others, and upon ourselves. The traditional distinction in moral theology between mortal and venial sins provides one way to try to parse some of these differences, while not excusing any forms or examples of sin, whether in ourselves or among others.

My purpose here is to invite reflection upon how we might appreciate Eric Gill’s religious art, as many did for several generations, without having our view of the merit of his work diminished by our moral evaluation of troubling ethical choices he made, and the lapses from good moral judgment they represent. In other words, and as an amateur student of the arts while also being a retired parish priest and former professor of moral theology, I wish to present some examples of Eric Gill’s art, letting his work speak for itself apart from ethical consideration of his personal life, and without ignoring the problems associated with the latter.

Perhaps my theme here can be summed up in this way: I invite you to benefit from the beauty of what Eric Gill created without asking you to overlook what we have learned about his private life. And I offer this invitation aware that some will not find it possible to accept.

A sculpted carving by Eric Gill above the altar of the Chapel of St George and the English Martyrs, Westminster Cathedral, London
Eric Gill, Crucifixion
Eric Gill, sculpted relief panel from a series of the Stations of the Cross, Westminster Cathedral, London

As we consider some of his art, we should not overlook Eric Gill’s impact, at least indirectly, upon much of the daily life of the population of Great Britain (and elsewhere), in the form of three type faces he created. The most well-known is Gill Sans, named after its designer, and evident at almost every Tube stop in London. An effort to erase his work from the public eye, and replace it with alternatives, would require removing virtually every train station sign in Britain. It could be done. Should it?

Three fonts designed by Eric Gill

To put the problem I have raised here most bluntly, how can we appreciate the beauty in the holy art created by someone who behaved in a way most people would describe as sinful? I do not have a ready answer to this question. Note that, in what I have written above about Gill’s behavior, I have not gone into detail. Would that make a difference? If so, in what way?

And even if we refuse to give any amount of attention to Eric Gill’s artwork, we must still grapple with a timeless question: are there any unforgivable sins? Is anyone, because of his or her behavior, beyond the power of God’s redeeming love? Is it not likely that someone having Gill’s religious inclination also possesses a glimmer of moral awareness such that he or she might be open to repentance when – at the end of life – the person faces the awesome and undiminished light of God’s truth-seeking love?

Here is one thing that we can do: pray for the repose of the soul of Eric Gill, and for God’s Providential mercy.

In beginning to approach the questions I have raised here, I would start with some of the distinctions I shared above. I do not think we can deny this reality – that we, as people who are created in the image and likeness of God, and who have lost that likeness through the Fall and human sin, still bear God’s image however marred it may be by the corruption resulting from our sins. And, that we are still capable while in this life of acts and works of uplifting beauty.

Entering The Easter Joy of Our Lord

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Peter Farago, The Resurrection

 

A prayer appointed for the closing moments of the Good Friday liturgy provides words with which we commit ourselves to God, and pray for the grace of a holy life. We pray this prayer “with all who have departed this world and have died in the peace of Christ.” The liturgy provides this prayer so that, having made our commitment, and request for grace, “we may be accounted worthy to enter into the fullness of the joy of our Lord.”

Through Baptism, through dying and rising again in Christ, we have already entered into the joy of our Lord. This is the joy that our Lord so freely shares with all who are open to receiving it. A notable aspect of the first disciples’ response to encountering the Risen Lord, was joy. He brought joy to those who had despaired, or doubted, or even had given up hope. He brought joy to Peter who had denied him three times. He brings the same joy to us.

To experience the joy of the Lord, we don’t need to wait until we pass beyond this life, through the veil, into what lies before us. What we await is the fullness of joy when, finally, we behold him, unburdened from the cares and allure of this world as these occupy our attention now. In Jesus’ Resurrection, and through our participation in his Risen Life, we see further dimensions of the New Creation that already is.

Through Grace, joy is now ours. Rightly, and by faith, we anticipate entering the fullness of the joy of the Lord. As a Robert Lentz icon of Thomas Aquinas reminds us, joy is more than a feeling; for “joy is the noblest human act.”

 

Easter Sunday 2025

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Peter Koenig, Christ as Second Moses (The Rainbow Resurrection)

 

Having six granddaughters, aged twelve down to two years, I’m very familiar with unicorns and rainbows. There is something about little girls and pastel colors that seems universal. So, when I go into the stores these days, and see all the Easter decorations, I think of our granddaughters. Because everything I see on display seems to be a rainbow of pastels, colors, and patterns, which our little girls love.

Well, as we know, our culture has tamed and domesticated Easter. Good Friday with its silence and its dark remembering is a challenge for us. For we seem to have enough darkness and bad news everyday as it is. And Easter Sunday morning provides the antidote we long for. For a few hours, and even for a few days, we can get a lift, a happy bounce, in a way that we hope for.

But deep down, we know that we want more than a brief lift in our mood, a brief enhancement of our sense of well-being. Our hearts truly long for a lasting joy. For we hope that though happiness may be fleeting, blessedness is abiding. And it was blessedness that Jesus was announcing and commending in his Sermon on the Mount. So here is our question this morning: How does the Gospel Good News about the discovery of an empty tomb help us find a sense of blessedness, and, in a way that might be lasting.

This morning I share with you three images by the English painter, Peter Koenig, images which I think can help us on our spiritual journey this Eastertide. This is our Easter journey toward discovering and experiencing a lasting sense of blessedness. For we discover the kind of blessedness that does not overlook the darkness, or pain, or sadness, that may be a real part of our lives. What we celebrate at Easter is not the simple replacement of what has come before, with something new that wipes away the past. We are not celebrating the spiritual equivalent of a vacation from daily life. For then, in a few days or weeks, we would have a sense that ‘we must now return to reality.’ The reality we celebrate today and throughout Eastertide is the reality of Resurrection transformation.

Now, how do we know this? We know this first from the reports of the Disciples – both the women and the men – who saw the Risen Lord. And who recognized him when they saw his healed scars – not absent scars, but healed scars! They were the first witnesses to the transformation that God brings to us in Resurrection Life. And Resurrection Life is God’s great culminating chapter of what we call Salvation History.

So let’s set our spiritual awareness within the sweep of biblical Salvation History. Here, I offer you a simple phrase with which to help identify and to remember the heart of this mystery. “Through the waters of death into a new covenant life with God.”

Left side panel for Christ as Second Moses

I invite you to look at Peter Koenig’s painting, Jesus as a Second Moses (or, The Rainbow Resurrection), along with its two glorious side panels. Here we notice several details, at least one of which will direct our thoughts toward Easter. We readily notice the rainbow, along with the pastel colors at the top and bottom of the central panel. These – of course – suggest the pastel colors we associate with Easter cards and Easter eggs, and other holiday decorations.

But let’s remind ourselves of what that rainbow first represented. In Salvation History, a rainbow came after a forty day period of massive death and destruction. Most of what we would consider to have been ‘life on earth’ was destroyed and lost, most people, and almost all animals and plants. Noah and his family, and the animals on the ark, traveled through the waters of death into a new covenant life with God. That death, however extensive, however gruesome and abhorrent, was and never would be the last word. God’s Word is – and always has been – a word of promise, a word of covenant. Where we aim for good, things often seem to go bad. Yet, God always aims for good, and achieves good.

Next, we should think of Israel, walking between and through the waters of death at the Red Sea. This brought them to Mt. Sinai, and to the great new Covenant between God and Israel, where blood was sprinkled upon the altar of God, and also upon God’s people. They were then led on a forty year journey through the wilderness to the threshold of their Land of Promise.

This was the moment when Joshua and God’s people crossed the Jordan. This water crossing echoed and recalled our forebears’ two prior journeys through the waters of death into a renewed covenant relation with God. Israel’s renewed covenant relation with God upon the west bank of the Jordan, within the Promised Land, signaled their desire to be faithful to God, and to God’s ways, no matter what.

Right side panel for Christ as Second Moses

And yet, the next most significant event embodying this pattern was the baptismal practice of John at the same river Jordan, centuries later, and Jesus’ own Baptism, by John. Of those who came out to John, many if not most of them were Jews by birth and also upbringing. To them, baptism was foreign. For baptism was what Gentile converts did, not Jews! And so, for them to submit to, and receive, John’s Baptism, was a genuine act of living into God’s holy covenants with their ancestors. Yet it was also a submersion into the waters of death ~ death to old ways and old ideas, as well as death to certain prior social and family relations. For John pointed to the renunciation of sin, and a return to God’s ways. It was also the path into a re-newed covenant life with God.

Jesus’ own acceptance of Baptism at the hands of his cousin, John, symbolized something other than a personal need of his. Scripture instead suggests that Jesus, himself, chose to live into this moment. He did so out of his deep identification with all of us, in what would become his world-wide family. Through John’s ministry, and in Jesus’ acceptance of it, Jordan waters once again became a symbol ~ a symbol of going through the waters of death to sin, and acceptance of a renewed or new covenant life with God.

And so, when each of us was or is baptized into Christ, we join all of these faithful people who came before us. In Baptism, with them we cross through the waters of death, into a new covenant life with God.

This may prepare us to acknowledge how we are portrayed in Peter Koenig’s painting. For we are represented by those depicted as standing in the purple shadows, behind the ‘Christ-as-Moses’ figure. We are people who live and walk in darkness until we meet the true light, the Light that comes into the world to enlighten everyone. On what, then do we base our hope? Surely, it is on the hope represented by the fruit of Jesus’ death and Resurrection.

The Son of God embraced the human body, and he became one with it. His body has become the Body we have embraced, and with which we have become one. The Body of his transformation has become the Body of our own transformation. His death and Resurrection was and is our doorway into a new life. This is what this day and our liturgy are all about.

Alleluia! Christ is Risen!

 

Additional note: here I offer my Easter homily, shared this morning at Grace Church, St. Francisville, LA.