Painting

The Beauty of Picasso’s Guernica

 

It was probably in the summer of 1974 when I first stood before this remarkably stirring painting, Guernica, by Pablo Picasso (at MOMA, NYC). His fullest creative talents, as well as sensitivity to many aspects of our common human condition, came together to help him produce this recognized masterpiece. Not the least of the key features of this painting was his decision to render the composition in black, white and shades of grey.

Remember that he was ‘Pablo,’ not ‘Pierre,’ Picasso -that he was a Spaniard by birth, and in important ways, by self-identification.

In the context in which I compose these words, with Russia presently invading Ukraine, Picasso’s painting, and National Geographic’s somewhat unexpected reference to it at this moment, I am once again reminded of my recent visit to the Calder and Picasso exhibit at MFAH (Museum of Fine Arts, Houston). The image below, featured early in the walk through of that exhibit, shows Calder standing in front on Picasso’s Guernica, looking at his own contribution to the Spanish Pavilion for the 1937 Paris International World’s Fair.

Noting these precedents, I want to raise a question, which cannot simply or quickly be answered. What is the role of art, and of our exploration of beauty, in relation to the reality of evil?

A powerful example of a response to this question is provided by Illya Repin’s painting, Ivan the Terrible and his Son Ivan (1581). A more recent example is Francisco de Goya’s 1814 painting, The Third of May. And, of course, so many portrayals of the crucifixion of Jesus.

A partial answer to the question I have posed is to say at least this: art and the exploration of beauty has the potential to remind us of our common humanity, and especially of the ideals we attach to our best and shared perceptions of what it means to be human – even in the face of evil and of death.

Picasso’s Guernica provides a compelling example of a good answer to this question.

The Beauty of Autumn Glory

 

In Western Michigan, the leaves at this time of year are usually beautiful. On the relatively few sunny days we’ve had, some of the leaves have been striking. But even against a foggy or rainy sky, the bright leaves provide a lovely metaphor. Like a choral concert featuring many voices, the leaves show their individual colors together in a stunning overall performance. I always love the deep reds of the maples. But the brilliant yellows and oranges of the birches, cottonwoods and hickories provide strong complementary support. Since these lively colors among the leaves are less common down south, we always put some in the mail to our kids in Louisiana.

As I think about this fall display, I remember something I heard years ago. We think of the bright colors as suddenly appearing in the autumn. But, apparently, those bright colors in the leaves have been there all along! It’s just that, at this time of year, the predominant green color fades away. When it does, it reveals the other brilliant colors latent in the body of the leaves. Either way, we don’t see the bright colors until autumn. And from the leaves’ first emergence as buds in the spring, we see only suggestions of what will come later. Sometimes the buds show hints of red and yellow. But soon, most of them bear variations of green, some light and pale, and others dark and rich-looking.

We can find a further extension of this metaphor in the form of a reflective contrast. On one hand, we appreciate the leaves at the end of their growing season. Yet, we often have a less-than-poetic view of ourselves as we approach the end of our own ‘growing season.’ Regarding the autumn display of color, people of faith rightly echo words from the Psalms, when we speak of fall leaves as ‘singing out praise’ to the creator. The leaves are doing what they were made to do. They are true to their own nature in each of the four seasons. And they come into their full glory in the fall.

And yet, when we think about ‘the autumn’ of our physically embodied lives, we consider it to be a time of decline and loss rather than one of gain, or as a time for giving glory. Suppose someone asks us to think about examples of people who give glory to God just by being who they are. We are likely to think of young folks in the ‘springtime’ of life, physically fit, professionally accomplished, with lots of time for achievement ahead. But why don’t we perceive the fullness of age as the time when we grow into wholeness, into the beauty of maturity, and when we embody received wisdom and grace? Why is autumn no longer a ready metaphor for when we as human beings come into our own glory?

The gloriously colored leaves falling from the trees at this time of year do not attain their beauty through anything they do. They come into their glory as a result of what happens to them. This follows from how God has made them, and from what God has put into them. This is perhaps the most significant meaning we can find in these leaves coming into their glory at the end of their lives. It gives us a different way to think about how we move into and through the ‘autumn season’ of our lives. For we now share in the beauty of the Communion of Saints not through anything we have done, nor by our strength, but through God’s graceful embrace of our weakness.

This past Sunday -All Saints Sunday- many people across the Church received a new birth through being joined with our Lord’s death and resurrection. They became new buds grafted onto the Tree of Life. In the youngest ones, we can only imagine how —some day— they will reflect Christ’s glory in their maturity. For we don’t yet see how they will become like the brightly colored leaves on autumn trees. But on All Saints, all the newly baptized emerge as flowering buds on the Tree of Life. May we join them in glorifying God through every season of our lives.

 

The image above is of an untitled Coco Treppendahl painting portraying the beauty of autumn leaves. This post is based on my homily for All Saints Sunday, November 3, 2019, which can be accessed by clicking hereOther homilies of mine may be accessed by clicking here. The Revised Common Lectionary, which specifies the readings for Sundays and other Holy Days, can be accessed by clicking here.

Beauty and Resurrection

Stanley Spencer_the-resurrection-reunion-of-families-1945

Stanley Spencer’s church cemetery visitors find themselves surprised by being found! They experience being found through a resurrection encounter with those who have gone before.

The resurrection of Jesus is not usually something we go looking for. The risen Jesus comes and finds us. This is the pattern we see in so many of the stories of Jesus’s first resurrection appearances to his friends and followers. The disciples and others don’t go looking for him except at first, when they go to the tomb. And even then, they are seeking Jesus’ mortal remains rather than his risen presence. He comes and finds them, just as he finds us, often in the context of fellowship. And like them, we are always surprised.

We don’t find the resurrection just as we don’t find God. Neither God nor the risen Jesus are lost, even if we may be. And so, we are found by both, and then we find ourselves as persons who have been found. This is instructive, for it corresponds with our apprehension of, and encounter with, beauty —which we also misleadingly credit ourselves with ‘finding.’ Really, beauty finds us. For our perception and recognition of beauty depends not on a ‘power’ that we possess to pursue and attain it, but rather on our ability to receive and recognize what is, and what is given. The same is true in our apprehension of, and encounter with, the grace of the resurrection.

 

Stanley Spencer, The Resurrection – Reunion of Families, 1945.