Creation and Redemption

Beauty and Revelation

James Tissot, God Creating

James Tissot’s painting depicting God’s creative work is likely to strike us as childishly simplistic in its portrayal of divinity. For it quite obviously displays what we consider to be the flaw of anthropomorphism, as if the artist was naive in his approach to faith. But what if our hesitation about anthropomorphism, aside from reflecting a proper theological concern, could also become an obstacle for us? What if the mysterious implausibility of God entering into and sharing the limitations of human being keeps us from appreciating how fallen human beings can – by the same graceful Providence – share in the beautiful fullness of God?

I believe that James Tissot came to realize this: Beauty is a form of divine revelation. And, that our joy when beholding beauty is our experience of God’s love manifest to and within us.

These themes are intrinsic to our participation in Holy Week. As we can learn from observing the traditional pattern for the liturgy on Good Friday, our focus in Holy Week is upon what God has done and is doing for us. The sign of this on Good Friday is our abstention from celebrating the Eucharist, and instead we receive communion from the sacrament reserved following the Maundy Thursday liturgy on the prior evening.

For God creates, God discloses, and God provides. Through all, God reveals self. God’s revelation involves God’s self-disclosing gifts. Within the divine attributes are those of initiative and efficacy, constitutive aspects of creativity. And so, when God creates human beings in God’s own image and likeness, God not only exercises creativity but also self-revelation.

Among the ways that we resemble our Maker is one that paradoxically can become a source of frustration for us. Positively, our Creator has given us intelligence and a God-reflecting capacity for creativity, initiative, and efficacy. In addition, God has given us an inclination toward experiencing freedom and an accompanying desire for its fulfillment. Employing these gifts can lead to an ironic and negative result: They allow us the freedom wrongly to imagine that God is actually a dispensable concept, and a coping mechanism which is just a reflection of our psychological needs and a projection of ourselves.

Reflecting on these things can lead us to recognize the heart of divine humility, that it should please God to create us in God’s own image and likeness. God has given us the capacity to imagine that we are self-made, and then to function in a parody of the divine role in Creation. This happens when we fool ourselves into thinking that we are the center of the universe. Expressions of this parody include our ideas that the universe is infinite, as are our own endless possibilities within it. Yet – and this is critical – only God is infinite, and we – like the universe – are finite beings, endowed not only with divine-reflecting capacities, but also with purpose, meaning, and identities that are not of our own making.

James Tissot, What Our Lord Saw From the Cross, a remarkable inversion of how we so often picture the scene

As we approach Holy Week, we have the opportunity once again to be those who watch, who listen, and reflect. As we do, we remind ourselves that we are bit players in the Divine Drama, whose Author has generously written for us a script that has a curious feature, ample provision for ‘ad-libbing.’ In fact, divine generosity is so abounding that we are allowed to create sub-plots within the overall story. To the point that we forget to reference the overall plot lines shaping the whole, as well as the Author’s purposes in creating them.

One thing that God achieved in the events of the Exodus was to remind both Pharaoh, as well as Moses and the people of Israel, that God was and is sovereign over history as well as over geography, the realms of both time and place. Forgetting this ancient truth, we neglect the comfort we can gain from the doctrine of Providence, that God provides for the needs of the world as well as our own, which God knows more intimately and with greater perception than we do. We should wonder that we are left free to imagine otherwise, a fantasy in which some of us at least occasionally engage.

But the humility we are invited to recover in this latter part of Lent, and most of all in Holy Week, involves opening ourselves to a very real possibility. That God’s way of overcoming our refusal and failure to live into the potential we have been given involves the beauty of a strange and unexpected gift. Christmas reminded us of part of this gift, that God became human so that humans could become God-like, and in the best possible way. Holy Week allows us to rediscover the gift that God chose to identify so much with us that, in the ‘Son of Man,’ the Incarnate divine-human being, God passed through human death into the fullness of human life so that we might be enabled by grace to do the same.

The Beauty of Trinitarian Life

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Brother Robert Lentz, Holy Trinity

 

Here is a Robert Lentz icon-styled painting that blends an historic approach to portraying the Holy Trinity with an inclusion of modern astronomical imagery. The facial depiction of the first two members of the Holy Trinity are presented in a very traditional way, while the images of the galaxies very obviously depend upon telescopic photography.

The most significant truth expressed within this composition by Lentz is that all three members of the Holy Trinity were and are involved in Creation, both in terms of the primal event, as well as in an ongoing divine presence within the whole of the cosmos, a theme found in John’s Gospel as well as in Paul’s letter to the Colossians among other biblical texts.

If there is any drawback to Lentz’s composition it is one shared with just about every Trinity-themed painting of which I am aware. To put it plainly, Lentz depicts the members of the Holy Trinity as ‘them,’ as objects of our subjectivity, as divine persons we contemplate, hold in regard, and with whom we contemplate or entertain relational involvement.

What this approach lacks, perhaps of necessity in a two dimensional medium, is an expression of the equally important and sometimes non-experiential truth that we are also the objects of the divine subjectivity, and how – after Baptism – we are inseparable from involvement with and in the Trinitarian life of God.

The simplest way to help make this evident can be found in all six of the Eucharistic Prayers in The Book of Common Prayer, as well as in many of the Collects. We pray to the Father, through the Son, in the Holy Spirit. And so, whether we are conscious of it or not, we are to live as we pray, to the Father, through the Son, in the Holy Spirit.

We should no longer try to depict the Holy Trinity through two dimensional imagery, much less with diagrams, or with objects like a three-leaf clover. For in each of these cases, we render the grace-filled context of our new and relational, post-Baptismal, life as if the grounding source for our being, and our life in Christ, was somehow external to us, and something which we might still have a need to approach.

Yet, through Christ and in the Holy Spirit, the Father is now in us, and we are in him. He is closer to us than we are to ourselves. This is the great mystery, the paradox, and the beauty of Trinitarian life in Christ after Baptism.

More On the Beauty of Nothing

 

As we all know, ashes are the end result of the process of burning. When all the energy has been released from something by burning it, all that remains are ashes, ready to be thrown out. Ashes are like dust, lifeless, inert, and of no value. Yet ashes remind us of the dust which God embraced and used in Creation. Taking up the dust of the ground and fashioning it into human form, God breathed the Holy Spirit into it, making us into God’s own image and likeness. In other words, God took nothing and made something out of it. The starting point for God’s handiwork was, and always is, nothing. Only God makes something out of nothing. Which is why the first day of Lent, Ash Wednesday, is about nothing. For without God, every thing is as nothing.

Especially because of our focus on ashes in the liturgy of the day, as well as upon our sin and unworthiness, Ash Wednesday can feel gloomy. And our worship can seem a sad but necessary duty before we can move on to happier observances. But actually, Ash Wednesday ought to be the happiest day of the year if only we would approach it rightly. If only we could admit the nothingness of so much of our lives! We would then have all the more to turn over to God. For God is a master at taking nothing and making something out of it. And, by receiving a cross-shaped smudge of ashes, we are reminded that God finds and embraces our nothingness.

What do I mean by this? Well, consider all the things that get us down when we think of them… things like the bad choices we have made; relationships we have made difficult; tasks at which we have failed; and responsibilities we have shirked. These are all things that can just seem like nothing. Yet, they are the very things we can lift up and turn over to God, — especially because we can’t make anything of them.

All these “nothings” are like ashes or dust. Dust and ashes are the building blocks of God’s Creation. And so, they are also the building blocks of God’s Redemptive work. The next time we are tempted to say about something we have done, or are doing, “O, it’s really nothing,” let’s remember what God can do with ‘nothing.’ The journey we begin on Ash Wednesday is a ‘reverse-logic’ journey. In the church’s calendar, we go from our starting point with ashes, toward the endpoint of pentecostal fire. When we turn it over to God, the Holy Spirit takes the ashen nothingness of our lives and transforms it into the light of the world. Think about how much nothingness we can give to God, to create and work with!

 

The painting above is James Tissot’s, God Creating the World. This post is based on my homily for Ash Wednesday, March 6, 2019, which can be accessed by clicking here.  Other homilies of mine may be accessed by clicking here. The Revised Common Lectionary, which specifies the readings for Sundays and other Holy Days, can be accessed by clicking here.